This book documents easy listening's connections with film music, an aspect overlooked in academic and popular literature.The influence of technology and historical contexts of music for work and leisure are explored. which will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.
This book documents easy listening's connections with film music, an aspect overlooked in academic and popular literature.The influence of technology and historical contexts of music for work and leisure are explored. which will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jack Curtis Dubowsky is a composer, author, music editor, educator, and filmmaker. Books include Intersecting Film, Music, and Queerness. Dubowsky is a member of the Academy of Television Arts and Sciences, the Recording Academy, the Motion Picture Editors Guild, and a fellow of the Virginia Center for the Creative Arts.
Inhaltsangabe
1 Introduction: Easy Listening and Film Scoring as Opportunities for Midcentury Composers and Arrangers 2 Music for Leisure, Music for Work: From a Conceptual Past to the LP, Stereo, and Multichannel Sound 3 Race and Easy Listening 4 Stylistic Subgenres of Easy Listening: The Cult of Bach, the Harpsichord Fetish, and the Baroque 5 The Named and the Nameless: Easy Listening from the Anonymous to the Beatles 6 Henry Mancini: Songwriter, Star Commodity, Purveyor of Easy Listening 7 Michel Legrand: Le Jazzman et le baroque 8 The Endless Space Age: Easy Listening 1948-78 as Precursor to Musical Futures
1 Introduction: Easy Listening and Film Scoring as Opportunities for Midcentury Composers and Arrangers
2 Music for Leisure, Music for Work: From a Conceptual Past to the LP, Stereo, and Multichannel Sound
3 Race and Easy Listening
4 Stylistic Subgenres of Easy Listening: The Cult of Bach, the Harpsichord Fetish,
and the Baroque
5 The Named and the Nameless: Easy Listening from the Anonymous to the Beatles
6 Henry Mancini: Songwriter, Star Commodity, Purveyor of Easy Listening
7 Michel Legrand: Le Jazzman et le baroque
8 The Endless Space Age: Easy Listening 1948-78 as Precursor to Musical Futures
1 Introduction: Easy Listening and Film Scoring as Opportunities for Midcentury Composers and Arrangers 2 Music for Leisure, Music for Work: From a Conceptual Past to the LP, Stereo, and Multichannel Sound 3 Race and Easy Listening 4 Stylistic Subgenres of Easy Listening: The Cult of Bach, the Harpsichord Fetish, and the Baroque 5 The Named and the Nameless: Easy Listening from the Anonymous to the Beatles 6 Henry Mancini: Songwriter, Star Commodity, Purveyor of Easy Listening 7 Michel Legrand: Le Jazzman et le baroque 8 The Endless Space Age: Easy Listening 1948-78 as Precursor to Musical Futures
1 Introduction: Easy Listening and Film Scoring as Opportunities for Midcentury Composers and Arrangers
2 Music for Leisure, Music for Work: From a Conceptual Past to the LP, Stereo, and Multichannel Sound
3 Race and Easy Listening
4 Stylistic Subgenres of Easy Listening: The Cult of Bach, the Harpsichord Fetish,
and the Baroque
5 The Named and the Nameless: Easy Listening from the Anonymous to the Beatles
6 Henry Mancini: Songwriter, Star Commodity, Purveyor of Easy Listening
7 Michel Legrand: Le Jazzman et le baroque
8 The Endless Space Age: Easy Listening 1948-78 as Precursor to Musical Futures
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