This book visits the intersections between Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates how artistic expressions render ecological connections, drawing on scholars working with Indigenous artistsin film, literatu
This book visits the intersections between Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates how artistic expressions render ecological connections, drawing on scholars working with Indigenous artistsin film, literatu
Joni Adamson is Professor of English and Environmental Humanities and Senior Sustainability Scholar at the Global Institute of Sustainability at Arizona State University, USA. Salma Monani is Associate Professor in the Environmental Studies department at Gettysburg College, USA.
Inhaltsangabe
Foreword by Simon Ortiz Acknowledgements Introduction: Cosmovisions, Ecocriticism and Indigenous Studies Joni Adamson and Salma Monani Part I: Resilience Chapter One: Negotiating the Ontological Gap: Place, Performance, and Media Art Practices in Aotearoa/New Zealand Janine Randerson and Amanda Yates Chapter Two: Science Fiction, Westerns, and the Vital Cosmo-ethics of The 6th World Salma Monani Chapter Three: Long Environmentalism: After the Listening Session Subhankar Banerjee Chaoter Four: Grounded in Spiritual Geography: Restoring Naabaahi in Enemy Slayer, a Navajo Oratorio Laura Tohe Part II: Resistance Chapter Five: Dancing at the End of the World: The Poetics of the Body in Indigenous Protest Janet Fiskio Chapter Six: New Media, Activism, and Indigenous Environmental Governance: Politics and the Minnesota-Wisconsin Wolf Hunt Clint Carroll and Angelica Lawson Chapter Seven: Cyclical Conceptualizations of Time: Ecocritical Perspectives on Sami Film Culture Pietari Kääpä Chapter Eight: Resistance and Hope in Mohawk Cinema: Iroquois Cosmologies and Histories Shelley Niro and Salma Monani Part III: Multi-Species Relations Chapter Nine: A "Network of Networks": Multispecies Stories and Cosmopolitical Activism in Solar Storms and People of the Feather Yalan Chang Chapter Ten: Tinai-Documentation as Ecocultural Ethnography: My Experience with Mudugar Rayson Alex Chapter Eleven: The Tangibility of Maize: Indigenous Literature, Bioart, and Violence in Mexico Abigail Perez Aguilera Chapter Twelve: Why Bears, Yakumama (Mother Water), and other Transformational Beings are (Still) Good to Think Joni Adamson and Juan Carlos Galeano, with Illustrations by Solmi Angarita List of Contributors Index
Foreword by Simon Ortiz Acknowledgements Introduction: Cosmovisions, Ecocriticism and Indigenous Studies Joni Adamson and Salma Monani Part I: Resilience Chapter One: Negotiating the Ontological Gap: Place, Performance, and Media Art Practices in Aotearoa/New Zealand Janine Randerson and Amanda Yates Chapter Two: Science Fiction, Westerns, and the Vital Cosmo-ethics of The 6th World Salma Monani Chapter Three: Long Environmentalism: After the Listening Session Subhankar Banerjee Chaoter Four: Grounded in Spiritual Geography: Restoring Naabaahi in Enemy Slayer, a Navajo Oratorio Laura Tohe Part II: Resistance Chapter Five: Dancing at the End of the World: The Poetics of the Body in Indigenous Protest Janet Fiskio Chapter Six: New Media, Activism, and Indigenous Environmental Governance: Politics and the Minnesota-Wisconsin Wolf Hunt Clint Carroll and Angelica Lawson Chapter Seven: Cyclical Conceptualizations of Time: Ecocritical Perspectives on Sami Film Culture Pietari Kääpä Chapter Eight: Resistance and Hope in Mohawk Cinema: Iroquois Cosmologies and Histories Shelley Niro and Salma Monani Part III: Multi-Species Relations Chapter Nine: A "Network of Networks": Multispecies Stories and Cosmopolitical Activism in Solar Storms and People of the Feather Yalan Chang Chapter Ten: Tinai-Documentation as Ecocultural Ethnography: My Experience with Mudugar Rayson Alex Chapter Eleven: The Tangibility of Maize: Indigenous Literature, Bioart, and Violence in Mexico Abigail Perez Aguilera Chapter Twelve: Why Bears, Yakumama (Mother Water), and other Transformational Beings are (Still) Good to Think Joni Adamson and Juan Carlos Galeano, with Illustrations by Solmi Angarita List of Contributors Index
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