Ecology and Chinese-Language Cinema
Reimagining a Field
Herausgeber: Lu, Sheldon H; Gong, Haomin
Ecology and Chinese-Language Cinema
Reimagining a Field
Herausgeber: Lu, Sheldon H; Gong, Haomin
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present.
Andere Kunden interessierten sich auch für
- Ronie ParciackPopular Hindi Cinema61,99 €
- David Leiwei LiEconomy, Emotion, and Ethics in Chinese Cinema69,99 €
- Zhenhui YanEthnic Minority Children in Post-Socialist Chinese Cinema61,99 €
- Yingchi ChuChinese Documentaries65,99 €
- The Politics of Memory in Sinophone Cinemas and Image Culture65,99 €
- Hong Kong Film, Hollywood and New Global Cinema77,99 €
- Devapriya SanyalGendered Modernity and Indian Cinema60,99 €
-
-
-
This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 363g
- ISBN-13: 9781032087894
- ISBN-10: 1032087897
- Artikelnr.: 62148918
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 30. Juni 2021
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 363g
- ISBN-13: 9781032087894
- ISBN-10: 1032087897
- Artikelnr.: 62148918
Sheldon Lu is Professor of Comparative Literature at the University of California, Davis, USA. He is the author, editor and co-editor of a dozen books in English and Chinese, including Chinese Ecocinema in the Age of Environmental Challenge (2009, co-editor with Jiayan Mi). Haomin Gong is Associate Professor of Chinese at Lingnan University, Hong Kong. He is the author of Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China (2012) and Reconfiguring Class, Gender, Ethnicity and Ethics in Chinese Internet Culture (2017).
Introduction: Revisiting the Field of Chinese Ecocinema Part 1:
Eco-Documentaries and Eco-Festivals 1. Mapping Taiwanese Ecodocumentary
Landscape: Politics of Aesthetics and Environmental Ethics in Taiwanese
Ecodocumentaries 2. Nature in the City: A Study of Hong Kong Independent
Eco-Cinema and Eco-Film Festival Part 2: Contemporary Ecologies 3. Three
Ecologies of Cinema, Migration, and the Sea: Anchorage Prohibited and
Luzon 4. Tracing Extraction in Contemporary Chinese Cinema: Tie Xi Qu and
the politics of the resource image 5. Chai Jing's Under the Dome: A
Multimedia Documentary in the Digital Age Part 3: Humans and Animals 6.
Global Animal Capital and Animal Garbage: Documentary Redemption and Hope
7. Transcendence and Transgression: Reading Wolf Totem as Environmental
World Literature/Cinema? 8. Fabulating Animals-Human Affinity: Towards an
Ethics of Care in Monster Hunt and Mermaid Part 4: Landscape and Nation 9.
Sinification by Greening: Politics, Nature, and Ethnic Borderlands in
Maoist Ecocinema 10. No Man's Land: Eco-Western in Contemporary Chinese
Cinema
Eco-Documentaries and Eco-Festivals 1. Mapping Taiwanese Ecodocumentary
Landscape: Politics of Aesthetics and Environmental Ethics in Taiwanese
Ecodocumentaries 2. Nature in the City: A Study of Hong Kong Independent
Eco-Cinema and Eco-Film Festival Part 2: Contemporary Ecologies 3. Three
Ecologies of Cinema, Migration, and the Sea: Anchorage Prohibited and
Luzon 4. Tracing Extraction in Contemporary Chinese Cinema: Tie Xi Qu and
the politics of the resource image 5. Chai Jing's Under the Dome: A
Multimedia Documentary in the Digital Age Part 3: Humans and Animals 6.
Global Animal Capital and Animal Garbage: Documentary Redemption and Hope
7. Transcendence and Transgression: Reading Wolf Totem as Environmental
World Literature/Cinema? 8. Fabulating Animals-Human Affinity: Towards an
Ethics of Care in Monster Hunt and Mermaid Part 4: Landscape and Nation 9.
Sinification by Greening: Politics, Nature, and Ethnic Borderlands in
Maoist Ecocinema 10. No Man's Land: Eco-Western in Contemporary Chinese
Cinema
Introduction: Revisiting the Field of Chinese Ecocinema Part 1:
Eco-Documentaries and Eco-Festivals 1. Mapping Taiwanese Ecodocumentary
Landscape: Politics of Aesthetics and Environmental Ethics in Taiwanese
Ecodocumentaries 2. Nature in the City: A Study of Hong Kong Independent
Eco-Cinema and Eco-Film Festival Part 2: Contemporary Ecologies 3. Three
Ecologies of Cinema, Migration, and the Sea: Anchorage Prohibited and
Luzon 4. Tracing Extraction in Contemporary Chinese Cinema: Tie Xi Qu and
the politics of the resource image 5. Chai Jing's Under the Dome: A
Multimedia Documentary in the Digital Age Part 3: Humans and Animals 6.
Global Animal Capital and Animal Garbage: Documentary Redemption and Hope
7. Transcendence and Transgression: Reading Wolf Totem as Environmental
World Literature/Cinema? 8. Fabulating Animals-Human Affinity: Towards an
Ethics of Care in Monster Hunt and Mermaid Part 4: Landscape and Nation 9.
Sinification by Greening: Politics, Nature, and Ethnic Borderlands in
Maoist Ecocinema 10. No Man's Land: Eco-Western in Contemporary Chinese
Cinema
Eco-Documentaries and Eco-Festivals 1. Mapping Taiwanese Ecodocumentary
Landscape: Politics of Aesthetics and Environmental Ethics in Taiwanese
Ecodocumentaries 2. Nature in the City: A Study of Hong Kong Independent
Eco-Cinema and Eco-Film Festival Part 2: Contemporary Ecologies 3. Three
Ecologies of Cinema, Migration, and the Sea: Anchorage Prohibited and
Luzon 4. Tracing Extraction in Contemporary Chinese Cinema: Tie Xi Qu and
the politics of the resource image 5. Chai Jing's Under the Dome: A
Multimedia Documentary in the Digital Age Part 3: Humans and Animals 6.
Global Animal Capital and Animal Garbage: Documentary Redemption and Hope
7. Transcendence and Transgression: Reading Wolf Totem as Environmental
World Literature/Cinema? 8. Fabulating Animals-Human Affinity: Towards an
Ethics of Care in Monster Hunt and Mermaid Part 4: Landscape and Nation 9.
Sinification by Greening: Politics, Nature, and Ethnic Borderlands in
Maoist Ecocinema 10. No Man's Land: Eco-Western in Contemporary Chinese
Cinema