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This book argues against the tendency of much of literary studies today to mistake the critique of formalism for a license to disregard form altogether. In detailed readings of ten novels (by Balzac, Stendhal, Austen, Dickens, and James), the author shows how novelists, in their practice of novelistic representation, deal with certain cultural issues, social values, and ideological purposes through the particular combination and manipulation of a set of formal possibilities. >
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