This book establishes how ecopoetics can provide insight into the poetic echoes of the living earth that are diffracted in environmental fiction, encouraging a reenchantment that adheres to postmodern science, while braiding various onto-epistemological threads. It reentangles the very material texture of language within the biosemiotic world.
This book establishes how ecopoetics can provide insight into the poetic echoes of the living earth that are diffracted in environmental fiction, encouraging a reenchantment that adheres to postmodern science, while braiding various onto-epistemological threads. It reentangles the very material texture of language within the biosemiotic world.
Bénédicte Meillon is associate professor at the University of Perpignan and affiliated with the LARCA- CNRS at the Université de Paris.
Inhaltsangabe
Part One: From Disenchantment to an Ecopoetics of Reenchantment Chapter One: Disenchanted, Enchanted, and Reenchanted Worldviews Chapter Two: Toward an Ecofeminist, Ecopoetic Project of a Rational Reenchantment Chapter Three: An Ecofeminist Remystification of Narrative: The Many Faces of Gaia in the Anthrop-o(bs)cene Chapter Four: Sowing the Seeds of an Ecopoet(h)ics of Wonder and Enchantment: Reincorporating Language and the Human into the Flesh and Song of the World Part Two: Ecopoetic Reenchantment via Liminal Realism Chapter Five: Why Liminal, Rather than "Magical," "Spiritual," "Mystical," "Ontological," or "Epistemological" Realism? Chapter Six: Postcolonial Liminality and (Re)initiation into a Multispecies World: Moving betwixt and between Human and Other-than-Human Realms in Linda Hogan's Power and Leslie Marmon Silko's Ceremony Chapter Seven: Post-Pastoral, Non-Indigenous Thought-Experiments with Totemic and Animistic Liminality Chapter Eight: Liminal Realism and Interspecies Thought-Experiments in Contemporary Fiction Part Three: Writing and Dwelling Ecopoetically Chapter Nine: Ecopoets and the Art of Anamorphosis Chapter Ten: Postmodern Shamanism: Making Headway Toward Other-than-Human Perspectives Chapter Eleven: Reweaving Word to World: Ecopoets as Instruments of the Sympoietic Song of the Earth Chapter Twelve: Restor(y)ing and Rewor(l)ding: Writing in a Grounded Middle Voice Chapter Thirteen: Translating the Song of the Earth: Reen-chanting Earthly Harmonies
Part One: From Disenchantment to an Ecopoetics of Reenchantment Chapter One: Disenchanted, Enchanted, and Reenchanted Worldviews Chapter Two: Toward an Ecofeminist, Ecopoetic Project of a Rational Reenchantment Chapter Three: An Ecofeminist Remystification of Narrative: The Many Faces of Gaia in the Anthrop-o(bs)cene Chapter Four: Sowing the Seeds of an Ecopoet(h)ics of Wonder and Enchantment: Reincorporating Language and the Human into the Flesh and Song of the World Part Two: Ecopoetic Reenchantment via Liminal Realism Chapter Five: Why Liminal, Rather than "Magical," "Spiritual," "Mystical," "Ontological," or "Epistemological" Realism? Chapter Six: Postcolonial Liminality and (Re)initiation into a Multispecies World: Moving betwixt and between Human and Other-than-Human Realms in Linda Hogan's Power and Leslie Marmon Silko's Ceremony Chapter Seven: Post-Pastoral, Non-Indigenous Thought-Experiments with Totemic and Animistic Liminality Chapter Eight: Liminal Realism and Interspecies Thought-Experiments in Contemporary Fiction Part Three: Writing and Dwelling Ecopoetically Chapter Nine: Ecopoets and the Art of Anamorphosis Chapter Ten: Postmodern Shamanism: Making Headway Toward Other-than-Human Perspectives Chapter Eleven: Reweaving Word to World: Ecopoets as Instruments of the Sympoietic Song of the Earth Chapter Twelve: Restor(y)ing and Rewor(l)ding: Writing in a Grounded Middle Voice Chapter Thirteen: Translating the Song of the Earth: Reen-chanting Earthly Harmonies
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