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"It's perfect, isn't it? The most perfect spot I think I've ever seen. An unspoiled, natural beauty. Which makes it utterly ripe for development." Eden is an idyllic coastal village of astonishing beauty, and home to an active community who are eager to protect it at all costs. Even the infamous Aaron Chase, an American property tycoon intent on building a luxury golf course, can't name a price they'll accept. But his star employee Sophie, a former Eden resident, might be able to broker a deal, so Chase plans to exploit her invaluable connections and local knowledge. Forced to confront her…mehr

Produktbeschreibung
"It's perfect, isn't it? The most perfect spot I think I've ever seen. An unspoiled, natural beauty. Which makes it utterly ripe for development." Eden is an idyllic coastal village of astonishing beauty, and home to an active community who are eager to protect it at all costs. Even the infamous Aaron Chase, an American property tycoon intent on building a luxury golf course, can't name a price they'll accept. But his star employee Sophie, a former Eden resident, might be able to broker a deal, so Chase plans to exploit her invaluable connections and local knowledge. Forced to confront her past, will Sophie be content to act as Chase Enterprises' bulldozer or will deeper loyalties come to the fore? Hannah Patterson returns to Hampstead Downstairs with her latest play following sell-out hits Platinum and Giving. Inspired by real events, Eden is a modern-day David and Goliath drama about the importance of fighting for what's right - whatever the outcome.
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Autorenporträt
Hannah Patterson is a writer for theatre and film. Her debut play, Much, premiered at the Cock Tavern in 2010. Other plays include The Weakness In Me and AID (Winners of the one-act New Plays Project; Jersey Arts Trust/Old Vic New Voices), and Resistantes, which she also performed (Paines Plough /'Come to Where I'm From'). Hannah is the co-writer and producer of the documentary film Shelter in Place, winner of the Channel 4 BRITDOC Foundation's Pitch Prize, and has written for publications including Sight & Sound, The International Film Guide, Time Out and the Guardian.