Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century.
Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century.
Contents Introduction: Music and/as Politics in the German Context Maria Euchner and Siobhán Donovan Part I. Appropriations and Misappropriations Martin Luther in Nineteenth-Century Music, Literature, and Politics Florian Gassner The 1848 Revolutionary Lyrics of Hoffmann von Fallersleben, Herwegh, and Freiligrath in the German Folk Song Movement David Robb "Der Kampf geht weiter": The Politics of Cover Versions in German Punk Rock Peter Brandes Son of Kraut and an Old Herero? The Politics of German Pop Musical Memory around 1990 Andrew Wright Hurley Part II. The Political Gesamtkunstwerk: Opera and Film Der Kaiser von Atlantis oder Die Tod-Verweigerung: Opera as Political Defiance Maria Euchner "Volk eilt herzu": Beethoven's Opera Fidelioin Dresden on October 7 and 8, 1989, and Its Ambivalent Afterlife Moray McGowan Soundtracks of the Holocaust in East and West German Cinema: Jakob der Lügner (1974) and Hitler, ein Film aus Deutschland (1977) Matt Lawson Part III. The Uses and Abuses of Music and PoliticsPolitical Ideology, Authentic Performance, and the Romantic Metaphysics of Music: The Case of the Pianist Elly Ney Rolf J. Goebel The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth Wolfgang Marx Notes on the Contributors
Contents Introduction: Music and/as Politics in the German Context Maria Euchner and Siobhán Donovan Part I. Appropriations and Misappropriations Martin Luther in Nineteenth-Century Music, Literature, and Politics Florian Gassner The 1848 Revolutionary Lyrics of Hoffmann von Fallersleben, Herwegh, and Freiligrath in the German Folk Song Movement David Robb "Der Kampf geht weiter": The Politics of Cover Versions in German Punk Rock Peter Brandes Son of Kraut and an Old Herero? The Politics of German Pop Musical Memory around 1990 Andrew Wright Hurley Part II. The Political Gesamtkunstwerk: Opera and Film Der Kaiser von Atlantis oder Die Tod-Verweigerung: Opera as Political Defiance Maria Euchner "Volk eilt herzu": Beethoven's Opera Fidelioin Dresden on October 7 and 8, 1989, and Its Ambivalent Afterlife Moray McGowan Soundtracks of the Holocaust in East and West German Cinema: Jakob der Lügner (1974) and Hitler, ein Film aus Deutschland (1977) Matt Lawson Part III. The Uses and Abuses of Music and PoliticsPolitical Ideology, Authentic Performance, and the Romantic Metaphysics of Music: The Case of the Pianist Elly Ney Rolf J. Goebel The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth Wolfgang Marx Notes on the Contributors
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