Editing and Special/Visual Effects
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Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Starting with the “trick films” of the early silent era, they demonstrate the key role these two crafts have played in cinematic history. Along the way, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. 

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Produktbeschreibung
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Starting with the “trick films” of the early silent era, they demonstrate the key role these two crafts have played in cinematic history. Along the way, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. 
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Autorenporträt
CHARLIE KEIL is the principal of Innis College and a professor in the history department at the University of Toronto. His many books include Early American Cinema in Transition and the coedited collections American Cinema’s Transitional Era and American Cinema of the 1910s (Rutgers University Press).   KRISTEN WHISSEL is a professor of film and media at the University of California, Berkeley. She is the author of Picturing American Modernity: Traffic, Technology, and the Silent Cinema and Spectacular Digital Effects: CGI and Contemporary Cinema.