Editing Early Modern Women
Herausgeber: Ross, Sarah C E; Salzman, Paul
Editing Early Modern Women
Herausgeber: Ross, Sarah C E; Salzman, Paul
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This volume offers a new and comprehensive exploration of the theory and practice of editing early modern women's writing.
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This volume offers a new and comprehensive exploration of the theory and practice of editing early modern women's writing.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 311
- Erscheinungstermin: 24. Januar 2019
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 417g
- ISBN-13: 9781107573260
- ISBN-10: 1107573262
- Artikelnr.: 54644692
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 311
- Erscheinungstermin: 24. Januar 2019
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 417g
- ISBN-13: 9781107573260
- ISBN-10: 1107573262
- Artikelnr.: 54644692
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
1. Introduction: editing early modern women Sarah C. E. Ross and Paul
Salzman; Part I. Editorial Ideologies: 2. The backward gaze: editing
Elizabeth Tyrwhit's prayerbook Susan M. Felch; 3. Producing gender: Mary
Sidney Herbert and her editors Danielle Clarke; 4. Editing the feminist
agenda: the power of the textual critic and Elizabeth Cary's The Tragedy of
Mariam Ramona Wray; 5. Contextualizing the woman writer: editing Lucy
Hutchinson's religious prose Elizabeth Clarke; Part II. Editing Female
Forms: Gender, Genre, and Editing: 6. Critical categories: toward an
archaeology of Anne, Lady Halkett's archive Suzanne Trill; 7. Editing early
modern women's letters for publication Diana Barnes; 8. Editing Queen
Elizabeth I Leah Marcus; 9. Editing early modern women's dramatic writing
for performance Marion Wynne-Davies; 10. Single-author manuscripts, poems
(1664), and the editing of Katherine Philips Marie-Louise Coolahan; Part
III. Out of the Archives, into the Classroom: 11. Out of the archives: Mary
Wroth's Countess of Montgomery's Urania Mary Ellen Lamb; 12. Anthologizing
early modern women's poetry: women poets of the English Civil War Sarah C.
E. Ross and Elizabeth Scott-Baumann; 13. Modernizing Katherine Austen's
Book M (1664) for the twenty-first-century, non-expert reader Pamela S.
Hammons; Part IV. Editorial Possibilities: 14. Editing early modern women
in the digital age Patricia Pender and Rosalind Smith.
Salzman; Part I. Editorial Ideologies: 2. The backward gaze: editing
Elizabeth Tyrwhit's prayerbook Susan M. Felch; 3. Producing gender: Mary
Sidney Herbert and her editors Danielle Clarke; 4. Editing the feminist
agenda: the power of the textual critic and Elizabeth Cary's The Tragedy of
Mariam Ramona Wray; 5. Contextualizing the woman writer: editing Lucy
Hutchinson's religious prose Elizabeth Clarke; Part II. Editing Female
Forms: Gender, Genre, and Editing: 6. Critical categories: toward an
archaeology of Anne, Lady Halkett's archive Suzanne Trill; 7. Editing early
modern women's letters for publication Diana Barnes; 8. Editing Queen
Elizabeth I Leah Marcus; 9. Editing early modern women's dramatic writing
for performance Marion Wynne-Davies; 10. Single-author manuscripts, poems
(1664), and the editing of Katherine Philips Marie-Louise Coolahan; Part
III. Out of the Archives, into the Classroom: 11. Out of the archives: Mary
Wroth's Countess of Montgomery's Urania Mary Ellen Lamb; 12. Anthologizing
early modern women's poetry: women poets of the English Civil War Sarah C.
E. Ross and Elizabeth Scott-Baumann; 13. Modernizing Katherine Austen's
Book M (1664) for the twenty-first-century, non-expert reader Pamela S.
Hammons; Part IV. Editorial Possibilities: 14. Editing early modern women
in the digital age Patricia Pender and Rosalind Smith.
1. Introduction: editing early modern women Sarah C. E. Ross and Paul
Salzman; Part I. Editorial Ideologies: 2. The backward gaze: editing
Elizabeth Tyrwhit's prayerbook Susan M. Felch; 3. Producing gender: Mary
Sidney Herbert and her editors Danielle Clarke; 4. Editing the feminist
agenda: the power of the textual critic and Elizabeth Cary's The Tragedy of
Mariam Ramona Wray; 5. Contextualizing the woman writer: editing Lucy
Hutchinson's religious prose Elizabeth Clarke; Part II. Editing Female
Forms: Gender, Genre, and Editing: 6. Critical categories: toward an
archaeology of Anne, Lady Halkett's archive Suzanne Trill; 7. Editing early
modern women's letters for publication Diana Barnes; 8. Editing Queen
Elizabeth I Leah Marcus; 9. Editing early modern women's dramatic writing
for performance Marion Wynne-Davies; 10. Single-author manuscripts, poems
(1664), and the editing of Katherine Philips Marie-Louise Coolahan; Part
III. Out of the Archives, into the Classroom: 11. Out of the archives: Mary
Wroth's Countess of Montgomery's Urania Mary Ellen Lamb; 12. Anthologizing
early modern women's poetry: women poets of the English Civil War Sarah C.
E. Ross and Elizabeth Scott-Baumann; 13. Modernizing Katherine Austen's
Book M (1664) for the twenty-first-century, non-expert reader Pamela S.
Hammons; Part IV. Editorial Possibilities: 14. Editing early modern women
in the digital age Patricia Pender and Rosalind Smith.
Salzman; Part I. Editorial Ideologies: 2. The backward gaze: editing
Elizabeth Tyrwhit's prayerbook Susan M. Felch; 3. Producing gender: Mary
Sidney Herbert and her editors Danielle Clarke; 4. Editing the feminist
agenda: the power of the textual critic and Elizabeth Cary's The Tragedy of
Mariam Ramona Wray; 5. Contextualizing the woman writer: editing Lucy
Hutchinson's religious prose Elizabeth Clarke; Part II. Editing Female
Forms: Gender, Genre, and Editing: 6. Critical categories: toward an
archaeology of Anne, Lady Halkett's archive Suzanne Trill; 7. Editing early
modern women's letters for publication Diana Barnes; 8. Editing Queen
Elizabeth I Leah Marcus; 9. Editing early modern women's dramatic writing
for performance Marion Wynne-Davies; 10. Single-author manuscripts, poems
(1664), and the editing of Katherine Philips Marie-Louise Coolahan; Part
III. Out of the Archives, into the Classroom: 11. Out of the archives: Mary
Wroth's Countess of Montgomery's Urania Mary Ellen Lamb; 12. Anthologizing
early modern women's poetry: women poets of the English Civil War Sarah C.
E. Ross and Elizabeth Scott-Baumann; 13. Modernizing Katherine Austen's
Book M (1664) for the twenty-first-century, non-expert reader Pamela S.
Hammons; Part IV. Editorial Possibilities: 14. Editing early modern women
in the digital age Patricia Pender and Rosalind Smith.