Edna O’Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world’s best-selling and most prolific contemporary authors. This study considers the pioneering ways O’Brien represents women’s experience, family relationships, the natural world, sex, creativity, and death, and her work’s long anticipation of movements such as #metoo.
Edna O’Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world’s best-selling and most prolific contemporary authors. This study considers the pioneering ways O’Brien represents women’s experience, family relationships, the natural world, sex, creativity, and death, and her work’s long anticipation of movements such as #metoo.
MAUREEN O'CONNOR lectures in English at University College Cork in Cork, Ireland. She is the author of The Female and the Species: The Animal in Irish Women’s Writing and coeditor of Edna O’Brien: New Critical Perspectives, Wild Colonial Girl: Essays on Edna O’Brien, and Ireland and India: Colonies, Culture, and Empire.
Inhaltsangabe
Preface and Acknowledgments Introduction: Edna O’Brien, Leader of the Banned 1 Anti-Oedipal Desires 2 The Liberating Sadomasochism of Things 3 The Ungrammatical Sublime 4 Otherworldly Possessions 5 Myth and Mutation 6 Disorder, Dirt, and Death Notes Bibliography Index
Preface and Acknowledgments Introduction: Edna O’Brien, Leader of the Banned 1 Anti-Oedipal Desires 2 The Liberating Sadomasochism of Things 3 The Ungrammatical Sublime 4 Otherworldly Possessions 5 Myth and Mutation 6 Disorder, Dirt, and Death Notes Bibliography Index
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