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Folk deep within Appalachian hollers lean close to share stories of the inexplicable with hushed awe. Monsters rumbling in the hills. Strange lights darting through the pitch-black night sky. Horrible occurrences, almost ineffable in their bizarre tragedy. Tall tales, you might say. But tell that to the Flatwoods monster in Braxton County, West Virginia. Or the Goat Man of Louisville--look into his humanoid eyes and let him know you don't believe. And what of those apparitions in Mammoth Cave's Corpse Rock, or the Satan spawn known as the Jersey Devil? How do you respond when those mysteries…mehr

Produktbeschreibung
Folk deep within Appalachian hollers lean close to share stories of the inexplicable with hushed awe. Monsters rumbling in the hills. Strange lights darting through the pitch-black night sky. Horrible occurrences, almost ineffable in their bizarre tragedy. Tall tales, you might say. But tell that to the Flatwoods monster in Braxton County, West Virginia. Or the Goat Man of Louisville--look into his humanoid eyes and let him know you don't believe. And what of those apparitions in Mammoth Cave's Corpse Rock, or the Satan spawn known as the Jersey Devil? How do you respond when those mysteries confront? From metaphysical energy that swirls near the Serpent Mound in Ohio to Point Pleasant's Mothman legacy, Mark Muncy and Kari Schultz explore the dark history lurking in the shadows of Appalachia.
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Autorenporträt
Mark Muncy is the creator of Hellview Cemetery, a charity haunted house in Central Florida that was so infamous it was banned by the City of St. Petersburg. An author of horror and science fiction, Mark has spent more than three decades collecting ghostly tales and reports of legendary beasts. This is his third book for The History Press after the successful Eerie Florida and Freaky Florida. He lives in St. Petersburg, Florida, on the remains of an ancient midden with his wife, Kari Schultz. Kari Schultz is a varied illustrator at Fox Dream Studio who enjoys fantasy and horror. She has been working on art as long as she can remember and reading folklore and horror almost as long. This is her fourth work for The History Press, as she ventured into another state for Eerie Alabama.