Effective Exhibit Interpretation and Design examines the impact of an integrated approach to exhibit design and development on the effective creation and support of live interpretation of exhibit messages and institutional mission. Bridal argues that the interpreters who bring these exhibitions, an institution's mission, collections, and stories to life, and the forefront of a visitor's attention are just as vital a part of an institution's public face, and that neglecting to give live interpretation an equal seat at the table impoverishes the ultimate visitor experience.
Effective Exhibit Interpretation and Design examines the impact of an integrated approach to exhibit design and development on the effective creation and support of live interpretation of exhibit messages and institutional mission. Bridal argues that the interpreters who bring these exhibitions, an institution's mission, collections, and stories to life, and the forefront of a visitor's attention are just as vital a part of an institution's public face, and that neglecting to give live interpretation an equal seat at the table impoverishes the ultimate visitor experience.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tessa Bridal has over 30 years of experience working with museums, and as a consultant nationally and internationally, and received the American Association of Museums' Education Committee Award for Excellence in Practice, given to individuals who have greatly influenced the work of the museum education field. She is the author of a prize winning novel, a contributor to several anthologies, has served as editor of newsletters and museum publications, and of the non-fiction book Exploring Museum Theatre, also published by Alta Mira Press. She can be contacted at tessa.bridal@icloud.net.
Inhaltsangabe
Introduction List of Illustrations List of Abbreviations Acknowledgements The Museums Chapter 1 oDesigning an exhibit and a program space simultaneously oRetrofitting and Adding Interpretation to Existing Exhibits oNo Program Space oChallenges and Benefits of collaborative exhibit design/fabrication and interpretation/program development §Communication §Organization §Space §Dead space §Location §Connection to exhibit §Sound and activity from adjacent exhibits §Storage §Technical needs §Visitor comfort oAddress the needs of an audience to see, hear, and focus oDiscuss the various styles of interpretation best suited to the goals of your exhibit oResults Chapter 2 oMascots oExhibit host/greeter oTours oGuest presenters oObject carts oFacilitated programs oDemonstrations/presentations oCharacter appearances oStorytelling oCreative dramatics oLiving history oMuseum theatre Chapter 3 oProgram development oExpectations of programs and those who present them oWho presents oWho are our interpreters and what do we call them? oSelecting presenters oTraining/coaching oWhy hire live interpreters when electronic means are available? oScripts oIn closing... Appendix A Appendix B Appendix C Appendix D Appendix E Appendix F Appendix G Appendix H Appendix I Resources
Introduction List of Illustrations List of Abbreviations Acknowledgements The Museums Chapter 1 oDesigning an exhibit and a program space simultaneously oRetrofitting and Adding Interpretation to Existing Exhibits oNo Program Space oChallenges and Benefits of collaborative exhibit design/fabrication and interpretation/program development §Communication §Organization §Space §Dead space §Location §Connection to exhibit §Sound and activity from adjacent exhibits §Storage §Technical needs §Visitor comfort oAddress the needs of an audience to see, hear, and focus oDiscuss the various styles of interpretation best suited to the goals of your exhibit oResults Chapter 2 oMascots oExhibit host/greeter oTours oGuest presenters oObject carts oFacilitated programs oDemonstrations/presentations oCharacter appearances oStorytelling oCreative dramatics oLiving history oMuseum theatre Chapter 3 oProgram development oExpectations of programs and those who present them oWho presents oWho are our interpreters and what do we call them? oSelecting presenters oTraining/coaching oWhy hire live interpreters when electronic means are available? oScripts oIn closing... Appendix A Appendix B Appendix C Appendix D Appendix E Appendix F Appendix G Appendix H Appendix I Resources
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