Egoists - Huneker, James
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This new edition of Huneker's book that saw his first appearance in 1909, is wholly devoted to those modern poets, philosophers and prose masters whose writings embody the individualistic idea as opposed to altruistic and socialistic sentiments. Amply discussed are Stendhal, whose cult, recently revived on the Continent, is steadily growing; Maurice Barres, French Academician; Anatole France, blithe pagan and delicious ironist; Max Stimer, the forerunner of Nietzsche; The mystics, Ernest Hello new to American readers and William Blake. Much new historical material can be found in the studies…mehr

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Produktbeschreibung
This new edition of Huneker's book that saw his first appearance in 1909, is wholly devoted to those modern poets, philosophers and prose masters whose writings embody the individualistic idea as opposed to altruistic and socialistic sentiments. Amply discussed are Stendhal, whose cult, recently revived on the Continent, is steadily growing; Maurice Barres, French Academician; Anatole France, blithe pagan and delicious ironist; Max Stimer, the forerunner of Nietzsche; The mystics, Ernest Hello new to American readers and William Blake. Much new historical material can be found in the studies of Charles Baudelaire and Gustave Flaubert. The hitherto unpublished letter of the novelist, along with an original page proof of "Madame Bovary," corrected by his own hand, will prove of interest to his admirers. That brilliant virtuoso of the French language, J. K. Huysmans, forms the subject of a chapter, while certain phases of Nietzsche, including his famous published biography, "Ecce Homo", and Ibsen dramas, are also subjects of discussion. Altogether the book represents the most mature critical and analytical thought of the author applied to some of the most interesting literary characters in the modern Europe of 1909.
Autorenporträt
James Gibbons Huneker was an American art, literary, music, and theatrical reviewer. A colorful individual and an ambitious writer, he was "an American with a great mission," in the words of his friend, the critic Benjamin De Casseres, and that mission was to educate Americans about the best cultural achievements, native and European, of his day. From 1892 to 1899, he was the husband of sculptor Clio Hinton. Huneker was born in Philadelphia. His parents forced him to study law, but he realized that a legal career was not for him; he was enthusiastic about music and writing, and hoped to one day be a concert pianist and novelist. Huneker and his wife and child returned to Philadelphia the next year, but he was never content in his hometown and longed for the larger stage of New York, where he wanted to try his luck as a journalist while continuing his musical studies. He relocated to New York City in 1886, abandoning his wife and child. He scraped by providing piano lessons and lived a downtown bohemian lifestyle while studying with Franz Liszt's student Rafael Joseffy, who became a friend and mentor. (Huneker's musical gods were Liszt, Chopin, and Brahms. In 1900, he released a biography of Chopin and wrote a commentary on Chopin's complete works for Schirmer's Music Publishing Company.