Nina Danilova
Eight Female Classical Ballet Variations
Nina Danilova
Eight Female Classical Ballet Variations
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Eight Female Classical Ballet Variations lays out eight of the most important variations in the ballerina's repertoire, demonstrating how to perform them with excellent technique and consummate artistry.
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Eight Female Classical Ballet Variations lays out eight of the most important variations in the ballerina's repertoire, demonstrating how to perform them with excellent technique and consummate artistry.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 288
- Erscheinungstermin: 9. August 2016
- Englisch
- Abmessung: 277mm x 216mm x 13mm
- Gewicht: 816g
- ISBN-13: 9780190227104
- ISBN-10: 0190227109
- Artikelnr.: 47864363
- Verlag: Oxford University Press, USA
- Seitenzahl: 288
- Erscheinungstermin: 9. August 2016
- Englisch
- Abmessung: 277mm x 216mm x 13mm
- Gewicht: 816g
- ISBN-13: 9780190227104
- ISBN-10: 0190227109
- Artikelnr.: 47864363
Nina Danilova is a Kirov-trained ballet dancer who holds a graduate degree in ballet pedagogy. She has worked with the award-winning Pacific Northwest Ballet, and now teaches at the University of North Carolina School of the Arts, where her popular variations class provided the inspiration for this book.
* Foreword
* Preface
* Acknowledgements
* Introduction by Natalia Makarova
* The Program of the Course
* Explanation of the process of teaching the new Variations Course
* How to Read Ballet Variations of Danilova's Series of Variations
* Part one Variations (1-4)
* 1. Le Talisman. Choreography after M.Petipa. From Pas de deux
* 2 Giselle. Choreography after M.Petipa from Peasant pas de deux
* 3. Paquita. Choreography after M.Petipa. 2nd Solo La Sylphide from
Grand Pas
* 4. Paquita. Choreography after M.Petipa. 1st Solo Grand Fouetté from
Grand Pas
* Part two Variations (5-8)
* 5. Paquita. Choreography after M.Petipa 3rd Solo Chelesta from Grand
Pas
* 6. Raymonda . Choreography after M.Petipa. From 1st act - Raymonda's
dream.
* 7. Le Corsaire. Choreography after M.Petipa. 2nd Solo Emboîté from
Pas de Odalisques
* 8.(a) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* 8.(b) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* Ballet Terminology
* Biographies: Danilova, Models, and technical and creative assistants
* Bibliography
* Credits
* Index
* Preface
* Acknowledgements
* Introduction by Natalia Makarova
* The Program of the Course
* Explanation of the process of teaching the new Variations Course
* How to Read Ballet Variations of Danilova's Series of Variations
* Part one Variations (1-4)
* 1. Le Talisman. Choreography after M.Petipa. From Pas de deux
* 2 Giselle. Choreography after M.Petipa from Peasant pas de deux
* 3. Paquita. Choreography after M.Petipa. 2nd Solo La Sylphide from
Grand Pas
* 4. Paquita. Choreography after M.Petipa. 1st Solo Grand Fouetté from
Grand Pas
* Part two Variations (5-8)
* 5. Paquita. Choreography after M.Petipa 3rd Solo Chelesta from Grand
Pas
* 6. Raymonda . Choreography after M.Petipa. From 1st act - Raymonda's
dream.
* 7. Le Corsaire. Choreography after M.Petipa. 2nd Solo Emboîté from
Pas de Odalisques
* 8.(a) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* 8.(b) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* Ballet Terminology
* Biographies: Danilova, Models, and technical and creative assistants
* Bibliography
* Credits
* Index
* Foreword
* Preface
* Acknowledgements
* Introduction by Natalia Makarova
* The Program of the Course
* Explanation of the process of teaching the new Variations Course
* How to Read Ballet Variations of Danilova's Series of Variations
* Part one Variations (1-4)
* 1. Le Talisman. Choreography after M.Petipa. From Pas de deux
* 2 Giselle. Choreography after M.Petipa from Peasant pas de deux
* 3. Paquita. Choreography after M.Petipa. 2nd Solo La Sylphide from
Grand Pas
* 4. Paquita. Choreography after M.Petipa. 1st Solo Grand Fouetté from
Grand Pas
* Part two Variations (5-8)
* 5. Paquita. Choreography after M.Petipa 3rd Solo Chelesta from Grand
Pas
* 6. Raymonda . Choreography after M.Petipa. From 1st act - Raymonda's
dream.
* 7. Le Corsaire. Choreography after M.Petipa. 2nd Solo Emboîté from
Pas de Odalisques
* 8.(a) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* 8.(b) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* Ballet Terminology
* Biographies: Danilova, Models, and technical and creative assistants
* Bibliography
* Credits
* Index
* Preface
* Acknowledgements
* Introduction by Natalia Makarova
* The Program of the Course
* Explanation of the process of teaching the new Variations Course
* How to Read Ballet Variations of Danilova's Series of Variations
* Part one Variations (1-4)
* 1. Le Talisman. Choreography after M.Petipa. From Pas de deux
* 2 Giselle. Choreography after M.Petipa from Peasant pas de deux
* 3. Paquita. Choreography after M.Petipa. 2nd Solo La Sylphide from
Grand Pas
* 4. Paquita. Choreography after M.Petipa. 1st Solo Grand Fouetté from
Grand Pas
* Part two Variations (5-8)
* 5. Paquita. Choreography after M.Petipa 3rd Solo Chelesta from Grand
Pas
* 6. Raymonda . Choreography after M.Petipa. From 1st act - Raymonda's
dream.
* 7. Le Corsaire. Choreography after M.Petipa. 2nd Solo Emboîté from
Pas de Odalisques
* 8.(a) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* 8.(b) Sleeping Beauty . Choreography after M.Petipa. Princess Florine
from Bluebird pas de deux
* Ballet Terminology
* Biographies: Danilova, Models, and technical and creative assistants
* Bibliography
* Credits
* Index