This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. It seeks to complicate the traditional model of ekphrasis as a form of paragone (competition), and proposes a more reciprocal model that involves an encounter or exchange between word and image. -- .
This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. It seeks to complicate the traditional model of ekphrasis as a form of paragone (competition), and proposes a more reciprocal model that involves an encounter or exchange between word and image. -- .
David Kennedy was Senior Lecturer in Creative Writing at the University of Hull Richard Meek is Lecturer in English at the University of Hull
Inhaltsangabe
Introduction: from paragone to encounter - David Kennedy and Richard Meek Part I: Early modern encounters 1 'Lamentable objects': ekphrasis and historical materiality in Shakespeare's The Rape of Lucrece - Rachel Eisendrath 2 'Fabulously counterfeit': ekphrastic encounters in Kyd's The Spanish Tragedy - Richard Meek 3 'Art indeed is long, but life is short': ekphrasis and mortality in Andrew Marvell - Keith McDonald 4 'The Painter has made a finer Story than the Poet': Jonathan Richardson's ekphrastic 'Dissertation' on Poussin's Tancred and Erminia - Jason Lawrence Part II: Nineteenth-century encounters 5 Blind spots of narration? Ekphrasis and Laocoön digressions in the novel - Catriona MacLeod 6 The face of Beatrice Cenci - Stephen Cheeke 7 Mirroring naturalism in word and image: a critical exchange between Emile Zola and Edouard Manet - Lauren S. Weingarden 8 Close encounters of the third kind: Hamo Thornycroft's The Mower and Matthew Arnold's 'Thyrsis' - Jane Thomas Part III: Modern and postmodern encounters 9 An artist of the bizarre: Stanley Spencer's 'ordinary' ekphrases - Liliane Louvel 10 The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing - Tilo Reifenstein 11 Ekphrasis/exscription: Jean-Luc Nancy on thinking and touching art - Johanna Malt 12 On gazers' encounters with visual art: ekphrasis, readers, 'iconotexts' - Claus Clüver Afterword - James A. W. Heffernan Index
Introduction: from paragone to encounter - David Kennedy and Richard Meek Part I: Early modern encounters 1 'Lamentable objects': ekphrasis and historical materiality in Shakespeare's The Rape of Lucrece - Rachel Eisendrath 2 'Fabulously counterfeit': ekphrastic encounters in Kyd's The Spanish Tragedy - Richard Meek 3 'Art indeed is long, but life is short': ekphrasis and mortality in Andrew Marvell - Keith McDonald 4 'The Painter has made a finer Story than the Poet': Jonathan Richardson's ekphrastic 'Dissertation' on Poussin's Tancred and Erminia - Jason Lawrence Part II: Nineteenth-century encounters 5 Blind spots of narration? Ekphrasis and Laocoön digressions in the novel - Catriona MacLeod 6 The face of Beatrice Cenci - Stephen Cheeke 7 Mirroring naturalism in word and image: a critical exchange between Emile Zola and Edouard Manet - Lauren S. Weingarden 8 Close encounters of the third kind: Hamo Thornycroft's The Mower and Matthew Arnold's 'Thyrsis' - Jane Thomas Part III: Modern and postmodern encounters 9 An artist of the bizarre: Stanley Spencer's 'ordinary' ekphrases - Liliane Louvel 10 The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing - Tilo Reifenstein 11 Ekphrasis/exscription: Jean-Luc Nancy on thinking and touching art - Johanna Malt 12 On gazers' encounters with visual art: ekphrasis, readers, 'iconotexts' - Claus Clüver Afterword - James A. W. Heffernan Index
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