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In 1928, shortly after his marriage to Ximena Amunátegui, and after meeting the actor Douglas Fairbanks, who expressed interest in the possibility of a new swashbuckler, Huidobro began writing his version of the Cid legend as a novel. The result is a highly readable, if slightly arch, version of the story, that casts aside the style of romantic 19th-century historical fiction in favour of more modern approaches and cinematic influences. Style aside, the book can be read a straightforward tale of adventure that sits happily alongside the 1961 epic movie that starred Charlton Heston and Sophia…mehr

Produktbeschreibung
In 1928, shortly after his marriage to Ximena Amunátegui, and after meeting the actor Douglas Fairbanks, who expressed interest in the possibility of a new swashbuckler, Huidobro began writing his version of the Cid legend as a novel. The result is a highly readable, if slightly arch, version of the story, that casts aside the style of romantic 19th-century historical fiction in favour of more modern approaches and cinematic influences. Style aside, the book can be read a straightforward tale of adventure that sits happily alongside the 1961 epic movie that starred Charlton Heston and Sophia Loren and had thousands of extras. More than one line of the script for that movie sounds as if lifted from Huidobro's novel. The translation by Wells appeared quickly, under the title Portrait of a Paladin in 1931, in both London and New York, and this reprint offers the original version with only some minor edits, together with a new afterword and an extensive glossary to aid with figures, both legendary and genuine, from Old Spain.
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Autorenporträt
The Chilean poet Vicente Huidobro (1893-1948) is one of the most important figures in 20th-century Hispanic poetry and, with César Vallejo, one of the pioneering avant-gardists in Spanish. Originally from an upper-class Santiago family, Huidobro was fortunate to have the means to support himself and his family while he found his artistic way. After an early phase writing in a quasi-symbolist style in his native city, he moved to Paris and threw himself into the local artistic milieu with a passion, quickly becoming a notable figure, publishing a large number of books in the period 1917-1925. Influenced initially by Apollinaire, Huidobro quickly befriended both forward-looking French writers such as Reverdy, Cocteau and Radiguet, and the Spanish expatriate artists, including Picasso and Juan Gris.He reached his poetic maturity in 1931 with the publication of two master-pieces: the long poem, 'Altazor', and the book-length prose-poem 'Temblor de cielo' (Skyquake). Two further collections would follow during his lifetime, both published in Santiago in 1941. While he also published successful novels and plays, it is for his poetry that he is best remembered today.