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"The first half of the 13th century was a time of women and cathedrals, of poetry worshipping, love, and intelligence. Its most sublime artistic manifestation was the gothic cathedral, where beauty, civic pride, and Christian spirituality were divinely combined. It was also a time of religious persecution that forced characters like the protagonist of God's Number, Teresa Rendol, into hiding and silence. Daughter of a Cathar master painter, and being a painter herself from a very young age, her eventful life led her to be a privileged witness to the construction of the cathedrals of Burgos and…mehr

Produktbeschreibung
"The first half of the 13th century was a time of women and cathedrals, of poetry worshipping, love, and intelligence. Its most sublime artistic manifestation was the gothic cathedral, where beauty, civic pride, and Christian spirituality were divinely combined. It was also a time of religious persecution that forced characters like the protagonist of God's Number, Teresa Rendol, into hiding and silence. Daughter of a Cathar master painter, and being a painter herself from a very young age, her eventful life led her to be a privileged witness to the construction of the cathedrals of Burgos and Leâon and to know one of the best-kept secrets, transmitted from generation to generation among the guild of architects, the so-called "God's Number," the secret on which the construction of the cathedrals was based."--Publisher description.
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Autorenporträt
José Luis Corral es Premio de las Letras Aragonesas 2017, Aragonés del año 2015 y medalla de Plata en el XXXIV Festival Internacional de Cine y TV de Nueva York, ha dirigido programas de radio y TV y ha sido asesor histórico de Ridley Scott en la película 1492. La conquista del paraíso. Catedrático de Historia Medieval, es autor de 35 ensayos como Historia contada de Aragón, Breve historia de la Orden del Temple, Una historia de España, El enigma de las catedrales, La Corona de Aragón, Aragón. Reyes, reino y Corona o Misterios, secretos y enigmas de la Edad Media. Está considerado como el maestro de la novela histórica española contemporánea, por obras como El salón dorado, El amuleto de bronce, El invierno de la corona, El Cid, Numancia, El número de Dios, El caballero del templo, El amor y la muerte, La prisionera de Roma, El médico hereje, El trono maldito (con Antonio Piñero), Los Austrias o Batallador (con Alejandro Corral).