El Paro Como Teoria - Azuero Quijano, Alejandra
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Alejandra Azuero Quijano proposes to think of the strike as an epistemic outbreak, an event that articulates stories and rhythms of time that allow us to rethink the past in order to understand and update the present. Based on repertoires of resistance and interruption, the national strike reorganizes the coordinates with which Colombian politics is understood, imagined, perceived and represented and, by extension, the political and social reality of Latin America and the Caribbean. The Colombian national strike began on April 28, 2021 as a reaction against the controversial tax reform…mehr

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Produktbeschreibung
Alejandra Azuero Quijano proposes to think of the strike as an epistemic outbreak, an event that articulates stories and rhythms of time that allow us to rethink the past in order to understand and update the present. Based on repertoires of resistance and interruption, the national strike reorganizes the coordinates with which Colombian politics is understood, imagined, perceived and represented and, by extension, the political and social reality of Latin America and the Caribbean. The Colombian national strike began on April 28, 2021 as a reaction against the controversial tax reform promoted by the government in the midst of the pandemic. Although the social outbreak began and ended that same year, the historical force of the event went further, launching forms of aesthetic, political and meaningful experimentation that have not yet ended. We are facing an event that has the capacity to change everything: politics, sensible conditions and ways of knowing. For this reason, the strike also calls for the implementation of other ways of narrating, thinking and representing their history.
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Autorenporträt
Alejandra Azuero Quijano es doctora en Derecho por la Universidad de Harvard y doctora en Antropología por la Universidad de Chicago. Actualmente es profesora en el Swarthmore College de Filadelfia. Su principal tema de investigación es el derecho como un denso entramado de formas de conocimiento y marcos de sentido. Ha explorado en particular la manera en la que el derecho, su autoridad y su violencia son instituidas y reproducidas a través de prácticas estéticas, capitalistas y forenses. Ha publicado diversas contribuciones en las áreas de la antropología y los estudios críticos del derecho y colabora regularmente en medios gráficos de Colombia y Estados Unidos.