Explores the influence of the Greek Electra myth on theatre, from Shakespeare's Hamlet - more than a thousand years after the classical Greek period - to the twentieth-century. As we read the plays in this volume, we will question: Are we still locked into theses oppositions? If so, how do they effect the world we live in?
Explores the influence of the Greek Electra myth on theatre, from Shakespeare's Hamlet - more than a thousand years after the classical Greek period - to the twentieth-century. As we read the plays in this volume, we will question: Are we still locked into theses oppositions? If so, how do they effect the world we live in?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Batya Casper is a retired director and teacher of theater. She lives in Los Angeles, California.
Inhaltsangabe
Table of Contents Preface Introduction I Prehistory Agamemnon, King of Argos Aeschylus: The Libation Bearers (458 BCE) Aeschylus: The Eumenides II Sophocles: Electra (409 BCE) III Euripides: Electra (ca. 400 BCE) Euripides: Orestes (408 BCE) IV Shakespeare: Hamlet (1601) V Electra: Play of Ambivalence Oscar Wilde: Salome (1905) Hugo von Hofmannsthal: Electra (1903) Richard Strauss: Elektra (1909) Eugene O'Neill: Mourning Becomes Electra (1931) Jean Giraudoux: Electra (1937) Robinson Jeffers: The Tower Beyond Tragedy (1937) VI Jean Paul Sartre: Les Mouches (1942) Ezra Pound: Electra (1951) Jack Richardson: The Prodigal (1960) Adrienne Kennedy: Electra and Orestes (1980) Heiner Muller: Hamlet-Machine (1984) VII deleteT. S. Eliot: The Family Reunion (1939) Sam Shepard: Curse of the Starving Class (1978) Conclusion Chapter Notes Annotated Bibliography Index
Table of Contents Preface Introduction I Prehistory Agamemnon, King of Argos Aeschylus: The Libation Bearers (458 BCE) Aeschylus: The Eumenides II Sophocles: Electra (409 BCE) III Euripides: Electra (ca. 400 BCE) Euripides: Orestes (408 BCE) IV Shakespeare: Hamlet (1601) V Electra: Play of Ambivalence Oscar Wilde: Salome (1905) Hugo von Hofmannsthal: Electra (1903) Richard Strauss: Elektra (1909) Eugene O'Neill: Mourning Becomes Electra (1931) Jean Giraudoux: Electra (1937) Robinson Jeffers: The Tower Beyond Tragedy (1937) VI Jean Paul Sartre: Les Mouches (1942) Ezra Pound: Electra (1951) Jack Richardson: The Prodigal (1960) Adrienne Kennedy: Electra and Orestes (1980) Heiner Muller: Hamlet-Machine (1984) VII deleteT. S. Eliot: The Family Reunion (1939) Sam Shepard: Curse of the Starving Class (1978) Conclusion Chapter Notes Annotated Bibliography Index
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