Peter Manning
Electronic and Computer Music
Peter Manning
Electronic and Computer Music
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In this new edition of the classic text on the history and evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day.
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In this new edition of the classic text on the history and evolution of electronic music, Peter Manning extends the definitive account of the medium from its birth to include key developments from the dawn of the 21st century to the present day.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- 4th edition
- Seitenzahl: 576
- Erscheinungstermin: 27. März 2013
- Englisch
- Abmessung: 233mm x 154mm x 30mm
- Gewicht: 807g
- ISBN-13: 9780199746392
- ISBN-10: 0199746397
- Artikelnr.: 36397221
- Verlag: Oxford University Press, USA
- 4th edition
- Seitenzahl: 576
- Erscheinungstermin: 27. März 2013
- Englisch
- Abmessung: 233mm x 154mm x 30mm
- Gewicht: 807g
- ISBN-13: 9780199746392
- ISBN-10: 0199746397
- Artikelnr.: 36397221
Peter Manning completed a doctorate in electronic and computer music at the University of Durham in 1977, and has been director of the Electronic Music Studio since 1980. In addition to writing books and articles on the history and development of the medium he has directed several research programs into new technologies for computer music and composed a number of electroacoustic works that have been widely performed in Europe, the Far East, and America.
Contents
List of Illustrations
Preface
About the Companion Website
1 The Background, to 1945
I. Developments from 1945 to 1960
2 Paris and Musique Concrète
3 Cologne and Electronische Musik
4 Milan and Elsewhere in Europe
5 America
II. New Horizons in Electronic Design
6 The Voltage-Controlled Synthesizer
III. The Electronic Repertory from 1960
7 Works for Tape
8 Live Electronic Music
9 Rock and Pop Electronic Music
IV. The Digital Revolution to 1980
10 The Foundations of Computer Music
11 From Computer Technology to Musical Creativity
12 The Microprocessor Revolution
V. Digital Audio
13 The Characteristics of Digital Audio
VI. MIDI
14 The Development of the MIDI Communications Protocol
From Analog to Digital: The Evolution of MIDI Hardware
16 From Microcomputer to Music Computer: The MIDI Perspective
17 Further Advances in Hardware Design
18 The Changing Fortunes of the MIDI Manufacturing Sector
VII. Desktop Synthesis and Signal Processing
19 From Minicomputer to Advanced Computer Workstation
20 The Personal Computer
21 The Digital Audio Workstation
22 Laptop Music and Related Activities
23 Synthesis, Signal Processing, and Spatialization
24 Performance Controllers: Evolution and Change
VIII. Global Networking
25 The Internet
26 Conclusion
Notes
Bibliography
Index
List of Illustrations
Preface
About the Companion Website
1 The Background, to 1945
I. Developments from 1945 to 1960
2 Paris and Musique Concrète
3 Cologne and Electronische Musik
4 Milan and Elsewhere in Europe
5 America
II. New Horizons in Electronic Design
6 The Voltage-Controlled Synthesizer
III. The Electronic Repertory from 1960
7 Works for Tape
8 Live Electronic Music
9 Rock and Pop Electronic Music
IV. The Digital Revolution to 1980
10 The Foundations of Computer Music
11 From Computer Technology to Musical Creativity
12 The Microprocessor Revolution
V. Digital Audio
13 The Characteristics of Digital Audio
VI. MIDI
14 The Development of the MIDI Communications Protocol
From Analog to Digital: The Evolution of MIDI Hardware
16 From Microcomputer to Music Computer: The MIDI Perspective
17 Further Advances in Hardware Design
18 The Changing Fortunes of the MIDI Manufacturing Sector
VII. Desktop Synthesis and Signal Processing
19 From Minicomputer to Advanced Computer Workstation
20 The Personal Computer
21 The Digital Audio Workstation
22 Laptop Music and Related Activities
23 Synthesis, Signal Processing, and Spatialization
24 Performance Controllers: Evolution and Change
VIII. Global Networking
25 The Internet
26 Conclusion
Notes
Bibliography
Index
Contents
List of Illustrations
Preface
About the Companion Website
1 The Background, to 1945
I. Developments from 1945 to 1960
2 Paris and Musique Concrète
3 Cologne and Electronische Musik
4 Milan and Elsewhere in Europe
5 America
II. New Horizons in Electronic Design
6 The Voltage-Controlled Synthesizer
III. The Electronic Repertory from 1960
7 Works for Tape
8 Live Electronic Music
9 Rock and Pop Electronic Music
IV. The Digital Revolution to 1980
10 The Foundations of Computer Music
11 From Computer Technology to Musical Creativity
12 The Microprocessor Revolution
V. Digital Audio
13 The Characteristics of Digital Audio
VI. MIDI
14 The Development of the MIDI Communications Protocol
From Analog to Digital: The Evolution of MIDI Hardware
16 From Microcomputer to Music Computer: The MIDI Perspective
17 Further Advances in Hardware Design
18 The Changing Fortunes of the MIDI Manufacturing Sector
VII. Desktop Synthesis and Signal Processing
19 From Minicomputer to Advanced Computer Workstation
20 The Personal Computer
21 The Digital Audio Workstation
22 Laptop Music and Related Activities
23 Synthesis, Signal Processing, and Spatialization
24 Performance Controllers: Evolution and Change
VIII. Global Networking
25 The Internet
26 Conclusion
Notes
Bibliography
Index
List of Illustrations
Preface
About the Companion Website
1 The Background, to 1945
I. Developments from 1945 to 1960
2 Paris and Musique Concrète
3 Cologne and Electronische Musik
4 Milan and Elsewhere in Europe
5 America
II. New Horizons in Electronic Design
6 The Voltage-Controlled Synthesizer
III. The Electronic Repertory from 1960
7 Works for Tape
8 Live Electronic Music
9 Rock and Pop Electronic Music
IV. The Digital Revolution to 1980
10 The Foundations of Computer Music
11 From Computer Technology to Musical Creativity
12 The Microprocessor Revolution
V. Digital Audio
13 The Characteristics of Digital Audio
VI. MIDI
14 The Development of the MIDI Communications Protocol
From Analog to Digital: The Evolution of MIDI Hardware
16 From Microcomputer to Music Computer: The MIDI Perspective
17 Further Advances in Hardware Design
18 The Changing Fortunes of the MIDI Manufacturing Sector
VII. Desktop Synthesis and Signal Processing
19 From Minicomputer to Advanced Computer Workstation
20 The Personal Computer
21 The Digital Audio Workstation
22 Laptop Music and Related Activities
23 Synthesis, Signal Processing, and Spatialization
24 Performance Controllers: Evolution and Change
VIII. Global Networking
25 The Internet
26 Conclusion
Notes
Bibliography
Index