Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic musicâ from its historical beginnings in the late nineteenth century to its everchanging presentâ recounting the musical ideas that arose in parallel with technological progress.
Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic musicâ from its historical beginnings in the late nineteenth century to its everchanging presentâ recounting the musical ideas that arose in parallel with technological progress.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Thom Holmes is a music historian and composer. He studied composition with Paul Epstein in Philadelphia, published the magazine Recordings of Experimental Music (1979-85), and worked with John Cage. He has recently been a member of Composers Inside Electronics, an electronic music performing ensemble dedicated to the realization of works by David Tudor. Holmes produces a personal blog, Noise and Notations, writes the blog Moog: A History in Recordings for the Bob Moog Foundation, and originated and maintains the Holmes Archive of Electronic Music, a curated collection of vintage electronic music recordings spanning the years 1930-85.
Inhaltsangabe
PART 1: ELECTRONIC MUSIC FUNDAMENTALS 1 What Is Electronic Music? 2 Listening to Electronic Music 3 How Electronic Music is Composed 4 Electronic Music Composition by Process 5 The Physics of Musical Sound 6 Analog and Digital Synthesis Basics 7 Computer Music Basics 8 Tape Composition and Sound Editing 9 MIDI, Noise Reduction, and Audio Compression Technologies PART 2: HISTORY OF ELECTRONIC AND COMPUTER MUSIC 10 Earliest Experiments in Electronic Music (Pre-1920) 11 Electronic Music Performance Instruments (1920-1940) 12 The History of Audio Recording Technology 13 Edgard Varèse and The Listener's Experiment 14 Musique Concrète In France 15 Elektronische Musik in Germany 16 Other European Electronic Music Studios 17 John Cage in the United States 18 The Columbia-Princeton Electronic Music Center, New York 19 The Cooperative Studio for Electronic Music, Ann Arbor 20 The Experimental Music Studio, University of Illinois 21 The San Francisco Tape Music Center 22 Electronic Music in Canada 23 Radiophonic Music in the United Kingdom 24 Electronic Music in Latin America 25 Electronic Music in Asia and Australia 26 Early Computer Music (1950-1969) 27 Computer Music (1970-1985) PART 3: MAKERS OF VINTAGE ANALOG AND DIGITAL SYNTHESIZERS 28 Moog Analog Synthesizers 29 Buchla Analog Synthesizers 30 EMS Analog Synthesizers 31 ARP Analog Synthesizers 32 Other Analog Synthesizers 33 Digital Synthesizers and Samplers PART 4: LIVE ELECTRONIC MUSIC AND CONTEMPORARY PRACTICES 34 Live Electronic Music - Foundations 35 Live Electronic Music - Historical Practices 36 Modern Turntablism 37 Contemporary Software and Synthesis 38 Eurorack Appendix: Historic Studios of Electronic Music by World Region 1948-70
PART 1: ELECTRONIC MUSIC FUNDAMENTALS 1 What Is Electronic Music? 2 Listening to Electronic Music 3 How Electronic Music is Composed 4 Electronic Music Composition by Process 5 The Physics of Musical Sound 6 Analog and Digital Synthesis Basics 7 Computer Music Basics 8 Tape Composition and Sound Editing 9 MIDI, Noise Reduction, and Audio Compression Technologies PART 2: HISTORY OF ELECTRONIC AND COMPUTER MUSIC 10 Earliest Experiments in Electronic Music (Pre-1920) 11 Electronic Music Performance Instruments (1920-1940) 12 The History of Audio Recording Technology 13 Edgard Varèse and The Listener's Experiment 14 Musique Concrète In France 15 Elektronische Musik in Germany 16 Other European Electronic Music Studios 17 John Cage in the United States 18 The Columbia-Princeton Electronic Music Center, New York 19 The Cooperative Studio for Electronic Music, Ann Arbor 20 The Experimental Music Studio, University of Illinois 21 The San Francisco Tape Music Center 22 Electronic Music in Canada 23 Radiophonic Music in the United Kingdom 24 Electronic Music in Latin America 25 Electronic Music in Asia and Australia 26 Early Computer Music (1950-1969) 27 Computer Music (1970-1985) PART 3: MAKERS OF VINTAGE ANALOG AND DIGITAL SYNTHESIZERS 28 Moog Analog Synthesizers 29 Buchla Analog Synthesizers 30 EMS Analog Synthesizers 31 ARP Analog Synthesizers 32 Other Analog Synthesizers 33 Digital Synthesizers and Samplers PART 4: LIVE ELECTRONIC MUSIC AND CONTEMPORARY PRACTICES 34 Live Electronic Music - Foundations 35 Live Electronic Music - Historical Practices 36 Modern Turntablism 37 Contemporary Software and Synthesis 38 Eurorack Appendix: Historic Studios of Electronic Music by World Region 1948-70
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