Elie Wiesel is a rare master storyteller with the ability to use storytelling as a form of activism. This work contains an essay that examines Wiesel's roots in Jewish storytelling traditions; influence from religious, folk and secular sources; education; Yiddish back ground; Holocaust experience; and writing style.
Elie Wiesel is a rare master storyteller with the ability to use storytelling as a form of activism. This work contains an essay that examines Wiesel's roots in Jewish storytelling traditions; influence from religious, folk and secular sources; education; Yiddish back ground; Holocaust experience; and writing style.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The late Rosemary Horowitz was a professor of English at Appalachian State University in Boone, North Carolina. She published extensively on Jewish topics.
Inhaltsangabe
Table of Contents Preface Introduction Mosaics and Mirrors: Wiesel, American Autobiographies, and the Shaping of a Storied Subject Creative Ambiguity in Wiesel's Storytelling Elie Wiesel: Telling Stories of Children and Loss The Storyteller and His Quarrel with God Wrestling with Oblivion: Wiesel's Autobiographical Storytelling as Midrash The Maggid of Sighet: Jewish Contexts for Wiesel's Storytelling Laughter and the Limits of Holocaust Storytelling: Wiesel's The Gates of the Forest Transfiguration The Artist as Witness, Prophet, and Encourager Shaliach Tzibor: Wiesel as Storyteller of His People Teaching Beyond the Text: Examining and Acting On the Moral Aspects of Night Afterword: Night-the Memoir-a Promise Fulfilled About the Contributors Index
Table of Contents Preface Introduction Mosaics and Mirrors: Wiesel, American Autobiographies, and the Shaping of a Storied Subject Creative Ambiguity in Wiesel's Storytelling Elie Wiesel: Telling Stories of Children and Loss The Storyteller and His Quarrel with God Wrestling with Oblivion: Wiesel's Autobiographical Storytelling as Midrash The Maggid of Sighet: Jewish Contexts for Wiesel's Storytelling Laughter and the Limits of Holocaust Storytelling: Wiesel's The Gates of the Forest Transfiguration The Artist as Witness, Prophet, and Encourager Shaliach Tzibor: Wiesel as Storyteller of His People Teaching Beyond the Text: Examining and Acting On the Moral Aspects of Night Afterword: Night-the Memoir-a Promise Fulfilled About the Contributors Index
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