Examining the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Vincent L. Barnett and Alexis Weedon trace Glyn's work as a novelist in the United Kingdom, her success in Hollywood as an adaptor, her relationships with important figures in the Hollywood studio system and her reworking of her stories as plays and movies. Informed by extensive archival work, their book will appeal to historians of film, culture, publishing and business.
Examining the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Vincent L. Barnett and Alexis Weedon trace Glyn's work as a novelist in the United Kingdom, her success in Hollywood as an adaptor, her relationships with important figures in the Hollywood studio system and her reworking of her stories as plays and movies. Informed by extensive archival work, their book will appeal to historians of film, culture, publishing and business.
Vincent L. Barnett is an Independent Scholar in the UK. He is the author of John Maynard Keynes (2013). Alexis Weedon is UNESCO Chair in New Media Forms of the Book at the University of Bedfordshire, UK. She is the author of Victorian Publishing (2003).
Inhaltsangabe
Introduction Chapter 1 Becoming a Writer: Glyn's Early British Career Chapter 2 Transatlantic Girl: Publishing in America Chapter 3 Hollywood Star: Negotiating the Rights to Film Adaptations Chapter 4 Three Weeks: Novel, Play and Film Chapter 5 Contracts in Conflict: The Royalties Received from Glyn's Films Chapter 6 It: Novella, Film and Clara Bow Chapter 7 Back to Britain: Glyn in the 1930s conclu Conclusion
Introduction Chapter 1 Becoming a Writer: Glyn's Early British Career Chapter 2 Transatlantic Girl: Publishing in America Chapter 3 Hollywood Star: Negotiating the Rights to Film Adaptations Chapter 4 Three Weeks: Novel, Play and Film Chapter 5 Contracts in Conflict: The Royalties Received from Glyn's Films Chapter 6 It: Novella, Film and Clara Bow Chapter 7 Back to Britain: Glyn in the 1930s conclu Conclusion
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