Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.
Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Annika Forkert is a musicologist and Lecturer in Music at the Royal Northern College of Music. She publishes on post-tonal, modern, and audio-visual British music with a focus on Elisabeth Lutyens, Ralph Vaughan Williams, and Rebecca Clarke; and on microtonal music. Her research appears in English and German.
Inhaltsangabe
Introduction 1. Conducting personae. Clark as a conductor, 1910-1962 2. Composing influence. Lutyens's compositional beginnings, 1938-1961 3. Crafting music. Lutyens's scores for film and television, 1944-1975 4. Collaborating to control. Clark and Lutyens as administrators and organisers, 1939-1960 5. Completing the lives. Lutyens after Clark, 1962- 983 Afterword Bibliography Main archives Index.
Introduction 1. Conducting personae. Clark as a conductor, 1910-1962 2. Composing influence. Lutyens's compositional beginnings, 1938-1961 3. Crafting music. Lutyens's scores for film and television, 1944-1975 4. Collaborating to control. Clark and Lutyens as administrators and organisers, 1939-1960 5. Completing the lives. Lutyens after Clark, 1962- 983 Afterword Bibliography Main archives Index.
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