Elizabeth Bowen is a writer who is still too little appreciated. Neil Corcoran presents here a critical study of her novels, short stories, family history, and essays, and shows that her work both inherits from the Modernist movement and transforms its experimental traditions.
Elizabeth Bowen is a writer who is still too little appreciated. Neil Corcoran presents here a critical study of her novels, short stories, family history, and essays, and shows that her work both inherits from the Modernist movement and transforms its experimental traditions.
* Introduction * 1. Ireland * 1.: The Ghost in the House: 'Bowen's Court' (1942) and 'The Back Drawing-Room' (1926) * 2.: Discovery of a Lack: 'The Last September' (1928) * 3.: A Gost of Style: 'A World of Love' (1955) * 2. Children * 1.: Mother and Child: 'The House in Paris' (1935) * 2.: Motherless Child: 'The Death of the Heart' (1938) * 3.: Childless Mother: The Disfigurations of 'Eve Trout or Changing Scenes' * 3. War * 1.: Words in the Dark: 'The Demon Lover and Other Stories' * 2.: War's Stories: 'The Heat of the Day' (1946) and its Contexts
* Introduction * 1. Ireland * 1.: The Ghost in the House: 'Bowen's Court' (1942) and 'The Back Drawing-Room' (1926) * 2.: Discovery of a Lack: 'The Last September' (1928) * 3.: A Gost of Style: 'A World of Love' (1955) * 2. Children * 1.: Mother and Child: 'The House in Paris' (1935) * 2.: Motherless Child: 'The Death of the Heart' (1938) * 3.: Childless Mother: The Disfigurations of 'Eve Trout or Changing Scenes' * 3. War * 1.: Words in the Dark: 'The Demon Lover and Other Stories' * 2.: War's Stories: 'The Heat of the Day' (1946) and its Contexts
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