This new biography traces the fascinating life and work of Elsie Houston, a Brazilian, mixed-race, classically trained soprano who captured the 1920s and 1930s Western artistic vogue for black exotica by restylizing Afro-Brazilian folk songs on elite stages in Paris and New York.
This new biography traces the fascinating life and work of Elsie Houston, a Brazilian, mixed-race, classically trained soprano who captured the 1920s and 1930s Western artistic vogue for black exotica by restylizing Afro-Brazilian folk songs on elite stages in Paris and New York.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Adjoa Osei is a Research Fellow of History of Race at Trinity College, University of Cambridge. She is a cultural historian whose research is actively interdisciplinary, exploring themes that are at the intersection of performing arts, Brazilian studies, Afro-Latin American studies, and Francophone studies. Her research has been published in major refereed journals and books. As a BBC New Generation Thinker, Adjoa has a growing portfolio of public engagement and media work. Prior to her career as a public intellectual, Adjoa worked internationally as a showgirl.
Inhaltsangabe
Introduction Chapter One: Black Brazil in Paris Chapter Two: Running with the Surrealists Chapter Three: A Passport to Brazil Chapter Four: Baiana baiana baiana! Chapter Five: Voodoo in Harlem Chapter Six: The Primitive Quality of the Modern Index Bibliograpy
Introduction Chapter One: Black Brazil in Paris Chapter Two: Running with the Surrealists Chapter Three: A Passport to Brazil Chapter Four: Baiana baiana baiana! Chapter Five: Voodoo in Harlem Chapter Six: The Primitive Quality of the Modern Index Bibliograpy
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