Emberoks - Duncan, Andrew
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Wide eyed and breathless, he watched as the stone surfaces changed to flowing garments and unfurled to reveal six humanoid creatures of various sizes cloaked in hooded capes. Six pairs of ember eyes glowed yellow at him with the light from his flashlight. "Emberoks!" He whispered. "A man!" two astonished voices replied. "See, I told you!" said another. "Men are not just in stories." He reached out to touch Kristofer who instinctively drew back, "A real man." "A human, to be sure." The strange creature stood at Kristofer's height. He wore a dull cloak having the appearance of weathered rock.…mehr

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Produktbeschreibung
Wide eyed and breathless, he watched as the stone surfaces changed to flowing garments and unfurled to reveal six humanoid creatures of various sizes cloaked in hooded capes. Six pairs of ember eyes glowed yellow at him with the light from his flashlight. "Emberoks!" He whispered. "A man!" two astonished voices replied. "See, I told you!" said another. "Men are not just in stories." He reached out to touch Kristofer who instinctively drew back, "A real man." "A human, to be sure." The strange creature stood at Kristofer's height. He wore a dull cloak having the appearance of weathered rock. His probing, penetrating eyes glowing yellow from the flashlight seemed to search every dark corner of Kristofer's soul. Only the peace, the soothing calm of his voice made his gaze bearable. "A man? Perhaps." Kristofer's embarrassment frowned at the Emberok's judgment. He liked these creatures better in Grandpa's stories.
Autorenporträt
Andrew Duncan was born in 1956 and brought up in the Midlands. He worked as a labourer (in England and Germany) after leaving school, and subsequently as a project planner with a telecoms manufacturer (1978-87), and as a programmer for the Stock Exchange (1988-91). He subsequently worked for many years in the Civil Service and is based in Nottingham.He has been publishing poetry since his Cambridge days in the late '70s, including Threads of Iron, Skeleton Looking at Chinese Pictures, Anxiety Before Entering a Room, The Imaginary in Geometry, Savage Survivals and Radio Vortex (the last a selected poems translated in to German). He is one of the editors of Angel Exhaust and has translated a lot of modern German poetry. He has published a good deal of literary criticism in recent years, above all The Failure of Conservatism in Modern British Poetry; Centre and Periphery in Modern British Poetry, A Poetry Boom 1990-2010, The Long 1950s, and others also published by Shearsman.