Embodied Cognition and Shakespeare's Theatre
The Early Modern Body-Mind
Herausgeber: Johnson, Laurie; Tribble, Evelyn; Sutton, John
Embodied Cognition and Shakespeare's Theatre
The Early Modern Body-Mind
Herausgeber: Johnson, Laurie; Tribble, Evelyn; Sutton, John
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This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. The essays examine Shakespeare's theatre in terms of an early modern 'body-mind,' covering histories of cognition, studies of early modern stage practices, textual studies, and h
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This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare's world. The essays examine Shakespeare's theatre in terms of an early modern 'body-mind,' covering histories of cognition, studies of early modern stage practices, textual studies, and h
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 280
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 381g
- ISBN-13: 9781032242927
- ISBN-10: 1032242922
- Artikelnr.: 62993616
- Verlag: Routledge
- Seitenzahl: 280
- Erscheinungstermin: 13. Dezember 2021
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 381g
- ISBN-13: 9781032242927
- ISBN-10: 1032242922
- Artikelnr.: 62993616
Laurie Johnson is Associate Professor of English and Cultural Studies at the University of Southern Queensland, Australia John Sutton is Professor of Cognitive Science, Macquarie University, Australia Evelyn Tribble is Donald Collie Chair of English at the University of Otago, Dunedin, New Zealand
Introduction: Re-cognising the Body-Mind in Shakespeare's Theatre Laurie
Johnson, John Sutton, and Evelyn Tribble 1. Proteus Agonistes: Shakespeare,
Bacon, and the "Torture" of Nature David Hawkes 2. Plays, Playing, and
Make-believe: Thinking and Feeling in Shakespearean Drama Ros King 3.
Warmth and Affection in 1 Henry IV: Why No One Likes Prince Hal Emma
Firestone First Link: Subjectivity and the Mind-Body: Extending the Self on
the Renaissance Stage Garrett A. Sullivan, Jr. 4. "Some Fury Pricks Me On":
Satanic Thinking in Thomas Heywood's A Woman Killed with Kindness Mary
Floyd-Wilson 5. Mental Bodies in Much Ado About Nothing James A. Knapp
Second Link: The Unbearable Permeability of Bodies and Minds Michael
Schoenfeldt 6. "Make Me Not Sighted Like the Basilisk": Vision and
Contagion in The Winter's Tale Darryl Chalk 7. Singularity in The Winter's
Tale Hardin Aasand Third Link: Seeing the Spider: Cognitive Ecologies in
The Winter's Tale Gail Kern Paster 8. "There's magic in the web of it":
Skin, Mind, and Webs of Touch in Othello Jennifer Rae McDermott 9.
Coriolanus's Blush Tiffany Hoffman Fourth Link: The Play of Time in
Cognition Katherine Rowe 10. Altered States: Hamlet and Early Modern Head
Trauma Lianne Habinek 11. Cogito Ergo Theatrum: Redistributing Cognition on
the Early Modern Stage Laurie Johnson 12. The Belly-Mind Relationship in
Early Modern Culture: Digestion, Ventriloquism, and the Second Brain Jan
Purnis Postscriptum David Hillman and Carla Mazzio
Johnson, John Sutton, and Evelyn Tribble 1. Proteus Agonistes: Shakespeare,
Bacon, and the "Torture" of Nature David Hawkes 2. Plays, Playing, and
Make-believe: Thinking and Feeling in Shakespearean Drama Ros King 3.
Warmth and Affection in 1 Henry IV: Why No One Likes Prince Hal Emma
Firestone First Link: Subjectivity and the Mind-Body: Extending the Self on
the Renaissance Stage Garrett A. Sullivan, Jr. 4. "Some Fury Pricks Me On":
Satanic Thinking in Thomas Heywood's A Woman Killed with Kindness Mary
Floyd-Wilson 5. Mental Bodies in Much Ado About Nothing James A. Knapp
Second Link: The Unbearable Permeability of Bodies and Minds Michael
Schoenfeldt 6. "Make Me Not Sighted Like the Basilisk": Vision and
Contagion in The Winter's Tale Darryl Chalk 7. Singularity in The Winter's
Tale Hardin Aasand Third Link: Seeing the Spider: Cognitive Ecologies in
The Winter's Tale Gail Kern Paster 8. "There's magic in the web of it":
Skin, Mind, and Webs of Touch in Othello Jennifer Rae McDermott 9.
Coriolanus's Blush Tiffany Hoffman Fourth Link: The Play of Time in
Cognition Katherine Rowe 10. Altered States: Hamlet and Early Modern Head
Trauma Lianne Habinek 11. Cogito Ergo Theatrum: Redistributing Cognition on
the Early Modern Stage Laurie Johnson 12. The Belly-Mind Relationship in
Early Modern Culture: Digestion, Ventriloquism, and the Second Brain Jan
Purnis Postscriptum David Hillman and Carla Mazzio
Introduction: Re-cognising the Body-Mind in Shakespeare's Theatre Laurie
Johnson, John Sutton, and Evelyn Tribble 1. Proteus Agonistes: Shakespeare,
Bacon, and the "Torture" of Nature David Hawkes 2. Plays, Playing, and
Make-believe: Thinking and Feeling in Shakespearean Drama Ros King 3.
Warmth and Affection in 1 Henry IV: Why No One Likes Prince Hal Emma
Firestone First Link: Subjectivity and the Mind-Body: Extending the Self on
the Renaissance Stage Garrett A. Sullivan, Jr. 4. "Some Fury Pricks Me On":
Satanic Thinking in Thomas Heywood's A Woman Killed with Kindness Mary
Floyd-Wilson 5. Mental Bodies in Much Ado About Nothing James A. Knapp
Second Link: The Unbearable Permeability of Bodies and Minds Michael
Schoenfeldt 6. "Make Me Not Sighted Like the Basilisk": Vision and
Contagion in The Winter's Tale Darryl Chalk 7. Singularity in The Winter's
Tale Hardin Aasand Third Link: Seeing the Spider: Cognitive Ecologies in
The Winter's Tale Gail Kern Paster 8. "There's magic in the web of it":
Skin, Mind, and Webs of Touch in Othello Jennifer Rae McDermott 9.
Coriolanus's Blush Tiffany Hoffman Fourth Link: The Play of Time in
Cognition Katherine Rowe 10. Altered States: Hamlet and Early Modern Head
Trauma Lianne Habinek 11. Cogito Ergo Theatrum: Redistributing Cognition on
the Early Modern Stage Laurie Johnson 12. The Belly-Mind Relationship in
Early Modern Culture: Digestion, Ventriloquism, and the Second Brain Jan
Purnis Postscriptum David Hillman and Carla Mazzio
Johnson, John Sutton, and Evelyn Tribble 1. Proteus Agonistes: Shakespeare,
Bacon, and the "Torture" of Nature David Hawkes 2. Plays, Playing, and
Make-believe: Thinking and Feeling in Shakespearean Drama Ros King 3.
Warmth and Affection in 1 Henry IV: Why No One Likes Prince Hal Emma
Firestone First Link: Subjectivity and the Mind-Body: Extending the Self on
the Renaissance Stage Garrett A. Sullivan, Jr. 4. "Some Fury Pricks Me On":
Satanic Thinking in Thomas Heywood's A Woman Killed with Kindness Mary
Floyd-Wilson 5. Mental Bodies in Much Ado About Nothing James A. Knapp
Second Link: The Unbearable Permeability of Bodies and Minds Michael
Schoenfeldt 6. "Make Me Not Sighted Like the Basilisk": Vision and
Contagion in The Winter's Tale Darryl Chalk 7. Singularity in The Winter's
Tale Hardin Aasand Third Link: Seeing the Spider: Cognitive Ecologies in
The Winter's Tale Gail Kern Paster 8. "There's magic in the web of it":
Skin, Mind, and Webs of Touch in Othello Jennifer Rae McDermott 9.
Coriolanus's Blush Tiffany Hoffman Fourth Link: The Play of Time in
Cognition Katherine Rowe 10. Altered States: Hamlet and Early Modern Head
Trauma Lianne Habinek 11. Cogito Ergo Theatrum: Redistributing Cognition on
the Early Modern Stage Laurie Johnson 12. The Belly-Mind Relationship in
Early Modern Culture: Digestion, Ventriloquism, and the Second Brain Jan
Purnis Postscriptum David Hillman and Carla Mazzio