This edited collection offers a range of critical, analytic and personal reflections on how music provides a container and a medium for experiencing, processing and integrating embodied encounters with death. It showcases interdisciplinary case studies written by authors from across Australia, France, The Netherlands, Poland and the UK.
This edited collection offers a range of critical, analytic and personal reflections on how music provides a container and a medium for experiencing, processing and integrating embodied encounters with death. It showcases interdisciplinary case studies written by authors from across Australia, France, The Netherlands, Poland and the UK.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marie Josephine Bennett completed her doctoral thesis, which focused on critical readings of queer performance in mainstream Hollywood film musicals, at the University of Winchester. Jasmine Hazel Shadrack is an independent scholar with the National Coalition of Independent Scholars and a visiting lecturer at Falmouth University. She is a composer and musician, whose research areas include trauma studies, disability studies, performance, extreme metal, autoethnography and feminist psychoanalysis. Gary Levy works in teacher education and educational research at Deakin University, Melbourne, Australia. His interests are centred on questions in the philosophy, sociology and cultural politics of education.
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