Embodying Voice: Singing Verdi, Singing Wagner articulates the process of developing an operatic voice, explaining how and why the training of such a voice is as complex and sophisticated as it is mysterious. This book illustrates how embodying a voice and creating a character are vital to an audience's emotional involvement and enjoyment.
Embodying Voice: Singing Verdi, Singing Wagner articulates the process of developing an operatic voice, explaining how and why the training of such a voice is as complex and sophisticated as it is mysterious. This book illustrates how embodying a voice and creating a character are vital to an audience's emotional involvement and enjoyment.
Margaret Medlyn, ONZM, is Head of the Classical Voice department, New Zealand School of Music, Victoria University of Wellington, New Zealand. She has sung with numerous opera companies and worked with leading international conductors. In addition, she is a national recording artist for Radio New Zealand.
Inhaltsangabe
Introduction Sheer Voice Chapter One The Singer's Ineffability Chapter Two Deconstructing Operatic Embodiment Chapter Three Verdi, Wagner and the Lowered Larynx Chapter Four Verdi Il trovatore: Prima la voce, or the Imperative of Passion Chapter Five Wagner's Body: Wagner, the Singer and Sieglinde Chapter Six Kundry: The Apotheosis of Embodiment Conclusion Voice Unleashed
Introduction Sheer Voice Chapter One The Singer's Ineffability Chapter Two Deconstructing Operatic Embodiment Chapter Three Verdi, Wagner and the Lowered Larynx Chapter Four Verdi Il trovatore: Prima la voce, or the Imperative of Passion Chapter Five Wagner's Body: Wagner, the Singer and Sieglinde Chapter Six Kundry: The Apotheosis of Embodiment Conclusion Voice Unleashed
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309