This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.
This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.
Annie Montgomery Labatt is associate professor of visual arts and director of the galleries at Sweet Briar College.
Inhaltsangabe
Chapter One: The Anastasis Chapter Two: The Transfiguration Chapter Three: The Maria Regina Chapter Four: The Sickness of Hezekiah and its Ensemble Chapter Five: Contexts and Continuities
Chapter One: The Anastasis Chapter Two: The Transfiguration Chapter Three: The Maria Regina Chapter Four: The Sickness of Hezekiah and its Ensemble Chapter Five: Contexts and Continuities
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