Andere Kunden interessierten sich auch für
![Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin]( "Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin")
Shelley and the Musico-Poetics of Romanticism. Jessica K. Quillin209,99 €![Street Ballads in Nineteenth-Century Britain, Ireland, and North America]( "Street Ballads in Nineteenth-Century Britain, Ireland, and North America")
Street Ballads in Nineteenth-Century Britain, Ireland, and North America198,99 €![French Symbolist Poetry and the Idea of Music]( "French Symbolist Poetry and the Idea of Music")
French Symbolist Poetry and the Idea of Music182,99 €![Shelley's Music]( "Shelley's Music")
Shelley's Music182,99 €![The Politics of Plainchant in fin-de-siècle France]( "The Politics of Plainchant in fin-de-siècle France")
The Politics of Plainchant in fin-de-siècle France198,99 €![Music and Theology in Nineteenth-Century Britain]( "Music and Theology in Nineteenth-Century Britain")
Music and Theology in Nineteenth-Century Britain209,99 €![Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy?]( "Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy?")
Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy?209,99 €
Extending the critical discussion which has focused on the hymns of Isaac Watts as an influence on Emily Dickinson's poetry, this study brings to bear the hymnody of Dickinson's female forbears and contemporaries and considers Isaac Watts' position as a Dissenter for a fuller understanding of Dickinson's engagement with hymn culture.
Bringing to bear the hymnody of Dickinson's female forbears and contemporaries and the Dissenting ideology found in Isaac Watts's hymns, this study offers a critical intervention in Dickinson's use of the hymn form. Dickinson's use of bee imagery and the re-visioned notions of religious design in her 'alternative hymns' show her engaging with a community of hymn writers in ways that anticipate the ideas of feminist theologians.
Bringing to bear the hymnody of Dickinson's female forbears and contemporaries and the Dissenting ideology found in Isaac Watts's hymns, this study offers a critical intervention in Dickinson's use of the hymn form. Dickinson's use of bee imagery and the re-visioned notions of religious design in her 'alternative hymns' show her engaging with a community of hymn writers in ways that anticipate the ideas of feminist theologians.