Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material.
Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steffen Hven currently lectures in Film Studies at the Freie University of Berlin. He has previously been a Visiting Fellow at the Cinepoetics and the University of Chicago and an Associate Postdoc at the Bauhaus-Universität Weimar, where he also obtained his PhD in Film Studies in 2015. He is the author of Cinema and Narrative Complexity: Embodying the Fabula (2017) and his work has been published in journals such as NECSUS, 16:9, and Fata Morgana. He has been awarded research grants from foundations such as the German Research Foundation, the Fritz Thyssen Foundation, and the Bauhaus Research School.
Inhaltsangabe
Acknowledgements Introduction Chapter 1: The Diegesis as Environment: A New Theory of Film Worlds Chapter 2: The Atmospheric Worlds of Cinema Chapter 3: Narrative Experientiality and Affect Chapter 4: The Moving Camera and the Motor-Affective Arrangement of Films Chapter 5: Narratives Spaces and Sonic Environments Afterword Index
Acknowledgements Introduction Chapter 1: The Diegesis as Environment: A New Theory of Film Worlds Chapter 2: The Atmospheric Worlds of Cinema Chapter 3: Narrative Experientiality and Affect Chapter 4: The Moving Camera and the Motor-Affective Arrangement of Films Chapter 5: Narratives Spaces and Sonic Environments Afterword Index
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