This book reflects on the methodological challenges and possibilities encountered when researching practices that have been historically defined and classified as â craft.â
This book reflects on the methodological challenges and possibilities encountered when researching practices that have been historically defined and classified as â craft.â
Chandan Bose is a cultural anthropologist who works on craft production in contemporary India. He is Assistant Professor at the Department of Liberal Arts, Indian Institute of Technology, Hyderabad. Mira Mohsini (she/her) is a trained cultural anthropologist. She has conducted ethnographic research in India on urban craft economies, with a focus on how Muslim artisans adapt, survive, and create in the midst of multiple intersecting forms of marginalization.
Inhaltsangabe
1. Introduction Chandan Bose and Mira Mohsini 2. Critical Cloth: The Contemporary Toile de Jouy Print as Postcolonial Critique in Art and Design Stephanie Sabo 3. On crafting history in a time without craftiness Sarah Teasley 4. Narrating indigo: Telling and re-telling subjectivities of craft in India Aarti Kawlra 5. Disentangling history and practice in the weaving and dyeing course at Kyoto City University of Arts Elena Cinelli 6. Prolegomena for World War I craft therapy for American injured soldiers and Reconstruction Aides Jennifer Way 7. Theorising Indigenous art practice, practicing Indigenous art theories: M¿ori weaving as research methodology Hinekura Smith 8. Encountering gendered sociality on field: People and objects in Kashmir Nikita Kaul 9. "Writing Practices" and Writing "Practices": Observation and struggle in fieldnotes about artisanal work Alanna Cant 10. Coda Chandan Bose and Mira Mohsini
1. Introduction Chandan Bose and Mira Mohsini 2. Critical Cloth: The Contemporary Toile de Jouy Print as Postcolonial Critique in Art and Design Stephanie Sabo 3. On crafting history in a time without craftiness Sarah Teasley 4. Narrating indigo: Telling and re-telling subjectivities of craft in India Aarti Kawlra 5. Disentangling history and practice in the weaving and dyeing course at Kyoto City University of Arts Elena Cinelli 6. Prolegomena for World War I craft therapy for American injured soldiers and Reconstruction Aides Jennifer Way 7. Theorising Indigenous art practice, practicing Indigenous art theories: M¿ori weaving as research methodology Hinekura Smith 8. Encountering gendered sociality on field: People and objects in Kashmir Nikita Kaul 9. "Writing Practices" and Writing "Practices": Observation and struggle in fieldnotes about artisanal work Alanna Cant 10. Coda Chandan Bose and Mira Mohsini
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