Encrypted Messages in Alban Berg's Music
Herausgeber: Bruhn, Siglind
Encrypted Messages in Alban Berg's Music
Herausgeber: Bruhn, Siglind
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 324
- Erscheinungstermin: 20. Januar 2016
- Englisch
- Abmessung: 216mm x 140mm x 17mm
- Gewicht: 376g
- ISBN-13: 9781138968769
- ISBN-10: 1138968765
- Artikelnr.: 44733058
- Verlag: Taylor & Francis
- Seitenzahl: 324
- Erscheinungstermin: 20. Januar 2016
- Englisch
- Abmessung: 216mm x 140mm x 17mm
- Gewicht: 376g
- ISBN-13: 9781138968769
- ISBN-10: 1138968765
- Artikelnr.: 44733058
Siglind Bruhn
Introduction
Siglind Bruhn * On Messages and Codes
Shared and Private Balzacian Mysticism
Palindromic Design
and Heavenly Tim in Berg's Music
John Covach * Alban Berg and the History of the Commentary
Wolfgang Gratzer * Encoding in Berg's Instrumental Compositions * More on Secret Programs in Berg's Instrumental Music
Gottfried Scholz * Berg's Kammerkonzert and Franz Werfel's Spiegelmensch: Mirror Images in Music and Literature
David Schroeder * Two Reigen: Berg
Schnitzler
and Cyclic Form
Robert Falck * Sleep and the Inner Journey: Berg's Song Cycles * The Representation of Sleep and Death in Berg's Piano Songs
op. 2
Magnar Breivik * The Other Altenberg Song Cycle: A Document of Viennese Fin-de-Si cle Aeshetics
Christoph Khittl * Symbolism and Self-Quotation in Berg's Picture Postcard Songs
Siglind Bruhn * Singing the Aphoristic Text: Berg's Altenberg-Lieder
Arved Ashby * Subtext and Subliminal Characteriziation in Berg's Operas * Tonality and Unreality in Berg's Wozzeck
Erika Reiman * The Death Leitmotif in Wozzeck and Lulu
Mark DeVoto * Femme Fatale and Lesbian Representation in alban Berg's Lulu
Karen Pegly * A Jungian Analysis of Berg's Alwa
Heather Platt
Siglind Bruhn * On Messages and Codes
Shared and Private Balzacian Mysticism
Palindromic Design
and Heavenly Tim in Berg's Music
John Covach * Alban Berg and the History of the Commentary
Wolfgang Gratzer * Encoding in Berg's Instrumental Compositions * More on Secret Programs in Berg's Instrumental Music
Gottfried Scholz * Berg's Kammerkonzert and Franz Werfel's Spiegelmensch: Mirror Images in Music and Literature
David Schroeder * Two Reigen: Berg
Schnitzler
and Cyclic Form
Robert Falck * Sleep and the Inner Journey: Berg's Song Cycles * The Representation of Sleep and Death in Berg's Piano Songs
op. 2
Magnar Breivik * The Other Altenberg Song Cycle: A Document of Viennese Fin-de-Si cle Aeshetics
Christoph Khittl * Symbolism and Self-Quotation in Berg's Picture Postcard Songs
Siglind Bruhn * Singing the Aphoristic Text: Berg's Altenberg-Lieder
Arved Ashby * Subtext and Subliminal Characteriziation in Berg's Operas * Tonality and Unreality in Berg's Wozzeck
Erika Reiman * The Death Leitmotif in Wozzeck and Lulu
Mark DeVoto * Femme Fatale and Lesbian Representation in alban Berg's Lulu
Karen Pegly * A Jungian Analysis of Berg's Alwa
Heather Platt
Introduction
Siglind Bruhn * On Messages and Codes
Shared and Private Balzacian Mysticism
Palindromic Design
and Heavenly Tim in Berg's Music
John Covach * Alban Berg and the History of the Commentary
Wolfgang Gratzer * Encoding in Berg's Instrumental Compositions * More on Secret Programs in Berg's Instrumental Music
Gottfried Scholz * Berg's Kammerkonzert and Franz Werfel's Spiegelmensch: Mirror Images in Music and Literature
David Schroeder * Two Reigen: Berg
Schnitzler
and Cyclic Form
Robert Falck * Sleep and the Inner Journey: Berg's Song Cycles * The Representation of Sleep and Death in Berg's Piano Songs
op. 2
Magnar Breivik * The Other Altenberg Song Cycle: A Document of Viennese Fin-de-Si cle Aeshetics
Christoph Khittl * Symbolism and Self-Quotation in Berg's Picture Postcard Songs
Siglind Bruhn * Singing the Aphoristic Text: Berg's Altenberg-Lieder
Arved Ashby * Subtext and Subliminal Characteriziation in Berg's Operas * Tonality and Unreality in Berg's Wozzeck
Erika Reiman * The Death Leitmotif in Wozzeck and Lulu
Mark DeVoto * Femme Fatale and Lesbian Representation in alban Berg's Lulu
Karen Pegly * A Jungian Analysis of Berg's Alwa
Heather Platt
Siglind Bruhn * On Messages and Codes
Shared and Private Balzacian Mysticism
Palindromic Design
and Heavenly Tim in Berg's Music
John Covach * Alban Berg and the History of the Commentary
Wolfgang Gratzer * Encoding in Berg's Instrumental Compositions * More on Secret Programs in Berg's Instrumental Music
Gottfried Scholz * Berg's Kammerkonzert and Franz Werfel's Spiegelmensch: Mirror Images in Music and Literature
David Schroeder * Two Reigen: Berg
Schnitzler
and Cyclic Form
Robert Falck * Sleep and the Inner Journey: Berg's Song Cycles * The Representation of Sleep and Death in Berg's Piano Songs
op. 2
Magnar Breivik * The Other Altenberg Song Cycle: A Document of Viennese Fin-de-Si cle Aeshetics
Christoph Khittl * Symbolism and Self-Quotation in Berg's Picture Postcard Songs
Siglind Bruhn * Singing the Aphoristic Text: Berg's Altenberg-Lieder
Arved Ashby * Subtext and Subliminal Characteriziation in Berg's Operas * Tonality and Unreality in Berg's Wozzeck
Erika Reiman * The Death Leitmotif in Wozzeck and Lulu
Mark DeVoto * Femme Fatale and Lesbian Representation in alban Berg's Lulu
Karen Pegly * A Jungian Analysis of Berg's Alwa
Heather Platt