Encrypting the Past puts forward the literary category of the first-generation German-Jewish Holocaust novel, showing that Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new ways of reflecting the unspeakable.
Encrypting the Past puts forward the literary category of the first-generation German-Jewish Holocaust novel, showing that Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new ways of reflecting the unspeakable.
Kirstin Gwyer is Lecturer in German at St Hugh's College, University of Oxford.
Inhaltsangabe
* Introduction: Mapping a blind spot: the German-Jewish Holocaust novel of the first generation * 1: An absence in context: Holocaust representation in testimony, scholarship, and literature * 2: Writing of broken time(s): H.G. Adler, Eine Reise, Die unsichtbare Wand * 3: The unhoused past: Elisabeth Augustin, Auswege; Jenny Aloni, Der Wartesaal * 4: The past encrypted: Erich Fried, Ein Soldat und ein Mädchen * 5: Design from debris: Wolfgang Hildesheimer, Tynset, Masante * Conclusion: What comes 'after': the 'postmemory' Holocaust novel
* Introduction: Mapping a blind spot: the German-Jewish Holocaust novel of the first generation * 1: An absence in context: Holocaust representation in testimony, scholarship, and literature * 2: Writing of broken time(s): H.G. Adler, Eine Reise, Die unsichtbare Wand * 3: The unhoused past: Elisabeth Augustin, Auswege; Jenny Aloni, Der Wartesaal * 4: The past encrypted: Erich Fried, Ein Soldat und ein Mädchen * 5: Design from debris: Wolfgang Hildesheimer, Tynset, Masante * Conclusion: What comes 'after': the 'postmemory' Holocaust novel
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