End of empire and the English novel since 1945

Herausgeber: Gilmour, Rachael; Schwarz, Bill

• Broschiertes Buch

Produktbeschreibung

This first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the priveleged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.

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Produktdetails

• Verlag: Manchester University Press
• Seitenzahl: 256
• Erscheinungstermin: 1. Juli 2015
• Englisch
• Abmessung: 216mm x 140mm x 14mm
• Gewicht: 327g
• ISBN-13: 9780719097454
• ISBN-10: 0719097452
• Artikelnr.: 42374021

Autorenporträt

Rachael Gilmour is Senior Lecturer in Postcolonial Studies at Queen Mary, University of London Bill Schwarz is a Professor in the Department of English, Queen Mary, University of London

Inhaltsangabe

Acknowledgements Contributors Introduction: end of empire and the English
novel (Bill Schwarz) 1. The road to Airstrip One: Anglo-American attitudes
in the English fiction of mid-century (Patrick Parrinder) 2. Josephine Tey
and her descendants: conservative modernity and the female crime novel
(Cora Kaplan) 3. Colonial fiction for liberal readers: John Masters and the
Savage family saga' (Richard Steadman-Jones) 4. The entropy of Englishness:
reading empire's absence in the novels of William Golding (Rachael Gilmour)
5. The empire of romance: love in a postcolonial climate (Deborah Philips)
6. Passage from Kinjanja to Pimlico: William Boyd's comedy of imperial
decline (Michael L. Ross) 7. Unlearning empire: Penelope Lively's Moon
Tiger (Huw Marsh) 8. I am not the British Isles on two legs': travel
fiction and travelling fiction from D.H. Lawrence to Tim Parks (Suzanne
Hobson) 9. Queer histories and postcolonial intimacies in Alan
Hollinghurst's The Line of Beauty (Sarah Brophy) 10. The return of the
native: Pat Barker, David Peace and the regional novel after empire (James
Procter) 11. Saturday's enlightenment (David Alderson) Afterword (Elleke
Boehmer)