These nine essays consider for the first time the day-to-day performing practice of English composers of choral music of the period 1440 1650.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. To chorus from quartet: the performing resource for English church polyphony, c. 1390-1559 2. Editing and performing musica speculativa 3. The sound of Latin in England before and after the Reformation 4. English pronunciation c. 1500-c. 1625 5. Byrd, Tallis and Ferrabosco 6. John Baldwin and changing concepts of text underlay 7. Sacred songs in the chamber 8. The education of choristers in England during the sixteenth century 9. The 'burden of proof': the editor as detective.
1. To chorus from quartet: the performing resource for English church polyphony, c. 1390-1559 2. Editing and performing musica speculativa 3. The sound of Latin in England before and after the Reformation 4. English pronunciation c. 1500-c. 1625 5. Byrd, Tallis and Ferrabosco 6. John Baldwin and changing concepts of text underlay 7. Sacred songs in the chamber 8. The education of choristers in England during the sixteenth century 9. The 'burden of proof': the editor as detective.
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