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This book provides a history of English prosodical criticism from the 18th to the 19th centuries, tracing the evolution of metrical theory. Thomas Stewart Omond delves into the controversies among English metrists, their work on the analysis of metre and rhythm, and how their contributions have impacted the study of English poetry to this day. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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