Entangled Performance Histories
New Approaches to Theater Historiography
Herausgeber: Fischer-Lichte, Erika; Jost, Torsten; Soltani, Omid; Sugiera, Malgorzata; Hartung, Holger
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Entangled Performance Histories
New Approaches to Theater Historiography
Herausgeber: Fischer-Lichte, Erika; Jost, Torsten; Soltani, Omid; Sugiera, Malgorzata; Hartung, Holger
- Broschiertes Buch
Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography.
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Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography.
Produktdetails
- Produktdetails
- Routledge Advances in Theatre & Performance Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 288
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 152mm x 229mm x 27mm
- Gewicht: 432g
- ISBN-13: 9781032405131
- ISBN-10: 1032405139
- Artikelnr.: 66270062
- Routledge Advances in Theatre & Performance Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 288
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 152mm x 229mm x 27mm
- Gewicht: 432g
- ISBN-13: 9781032405131
- ISBN-10: 1032405139
- Artikelnr.: 66270062
Erika Fischer-Lichte is Director of the International Research Center "Interweaving Performance Cultures" at Freie Universität Berlin. Mägorzata Sugiera is a Full-time Professor at the Jagiellonian University in Cracow, Poland, and Head of the Department for Performativity Studies. Torsten Jost is a Researcher and academic coordinator at the Cluster of Excellence Temporal Communities: Doing Literature in a Global Perspective at Freie Universität Berlin. Holger Hartung is a theater and dance scholar from Berlin, who works at the Hanns Eisler School of Music, Berlin, where he oversees digital transformation. Omid Soltani is a Researcher at the International Research Center "Interweaving Performance Cultures" of Freie Universität Berlin.
List of Figures
List of Contributors
Acknowledgments
Introduction: Entangled Performance Histories: New Approaches to Theater
Historiography
PART I: Methodological Reflections
1 Interweaving Stories, Altering Discourses
2 Writing Entangled Theater/Performance Histories in the Arab World
PART II: Hidden Histories-Forgetting and Remembering
3 William Kentridge's The Head & The Load: Theatrical Collage and the Color
of Memory
4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970:
Multiple Historiographies of a Lost Performance
PART III: Entanglements between Drama, Theater and Colonial
Historiographies
5 Disentangling Colonial Archives: The Combustible Affair of
Ensuring/Insuring Theater Safety in Colonial Singapore
6 The Thorny Entanglements of Theater and Colonial Historiography in the
Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff
's Play Jan Pieterszoon Coen (1931)
PART IV: Emergence and Transformation of Genres
7 Reversibility as Historiographical Method: Japanese Theater and Its
Doubles
8 Plumbing the Past to Project into the Future: The Entangled Trajectories
of Flamenco's Twenty-First-Century Avant-Garde
PART V: National Theater Histories-Entanglements and Disentanglements
9 The Interwoven Performance Culture of Algeria
10 Writing History as Disentanglement: Toward a Historiography of Modern
Greek Theater
Coda: The Whirligig of Tech: Theater as Media Archaeology
Index
List of Contributors
Acknowledgments
Introduction: Entangled Performance Histories: New Approaches to Theater
Historiography
PART I: Methodological Reflections
1 Interweaving Stories, Altering Discourses
2 Writing Entangled Theater/Performance Histories in the Arab World
PART II: Hidden Histories-Forgetting and Remembering
3 William Kentridge's The Head & The Load: Theatrical Collage and the Color
of Memory
4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970:
Multiple Historiographies of a Lost Performance
PART III: Entanglements between Drama, Theater and Colonial
Historiographies
5 Disentangling Colonial Archives: The Combustible Affair of
Ensuring/Insuring Theater Safety in Colonial Singapore
6 The Thorny Entanglements of Theater and Colonial Historiography in the
Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff
's Play Jan Pieterszoon Coen (1931)
PART IV: Emergence and Transformation of Genres
7 Reversibility as Historiographical Method: Japanese Theater and Its
Doubles
8 Plumbing the Past to Project into the Future: The Entangled Trajectories
of Flamenco's Twenty-First-Century Avant-Garde
PART V: National Theater Histories-Entanglements and Disentanglements
9 The Interwoven Performance Culture of Algeria
10 Writing History as Disentanglement: Toward a Historiography of Modern
Greek Theater
Coda: The Whirligig of Tech: Theater as Media Archaeology
Index
List of Figures
List of Contributors
Acknowledgments
Introduction: Entangled Performance Histories: New Approaches to Theater
Historiography
PART I: Methodological Reflections
1 Interweaving Stories, Altering Discourses
2 Writing Entangled Theater/Performance Histories in the Arab World
PART II: Hidden Histories-Forgetting and Remembering
3 William Kentridge's The Head & The Load: Theatrical Collage and the Color
of Memory
4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970:
Multiple Historiographies of a Lost Performance
PART III: Entanglements between Drama, Theater and Colonial
Historiographies
5 Disentangling Colonial Archives: The Combustible Affair of
Ensuring/Insuring Theater Safety in Colonial Singapore
6 The Thorny Entanglements of Theater and Colonial Historiography in the
Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff
's Play Jan Pieterszoon Coen (1931)
PART IV: Emergence and Transformation of Genres
7 Reversibility as Historiographical Method: Japanese Theater and Its
Doubles
8 Plumbing the Past to Project into the Future: The Entangled Trajectories
of Flamenco's Twenty-First-Century Avant-Garde
PART V: National Theater Histories-Entanglements and Disentanglements
9 The Interwoven Performance Culture of Algeria
10 Writing History as Disentanglement: Toward a Historiography of Modern
Greek Theater
Coda: The Whirligig of Tech: Theater as Media Archaeology
Index
List of Contributors
Acknowledgments
Introduction: Entangled Performance Histories: New Approaches to Theater
Historiography
PART I: Methodological Reflections
1 Interweaving Stories, Altering Discourses
2 Writing Entangled Theater/Performance Histories in the Arab World
PART II: Hidden Histories-Forgetting and Remembering
3 William Kentridge's The Head & The Load: Theatrical Collage and the Color
of Memory
4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970:
Multiple Historiographies of a Lost Performance
PART III: Entanglements between Drama, Theater and Colonial
Historiographies
5 Disentangling Colonial Archives: The Combustible Affair of
Ensuring/Insuring Theater Safety in Colonial Singapore
6 The Thorny Entanglements of Theater and Colonial Historiography in the
Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff
's Play Jan Pieterszoon Coen (1931)
PART IV: Emergence and Transformation of Genres
7 Reversibility as Historiographical Method: Japanese Theater and Its
Doubles
8 Plumbing the Past to Project into the Future: The Entangled Trajectories
of Flamenco's Twenty-First-Century Avant-Garde
PART V: National Theater Histories-Entanglements and Disentanglements
9 The Interwoven Performance Culture of Algeria
10 Writing History as Disentanglement: Toward a Historiography of Modern
Greek Theater
Coda: The Whirligig of Tech: Theater as Media Archaeology
Index