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This work aims to highlight the poetic writing of The History of China in the novels of Shan Sa, a French-speaking Chinese author who uses the French language as a vehicle for her roots. It is a question of identifying and proposing an interpretative reading of all the constant writing techniques based on the criterion of recurrence in the diegetic universe proposed by the novelist with the aim of bringing out the different manifestations of Chinese History that characterize her novel writing, which springs from a poetic that is undeniably relative to Chinese History.