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Envisioning Landscapes, Making Worlds
Geography and the Humanities
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Part 1: Mapping 1. Why America is Called America 2. Above the Dead Cities 3. Digital Cartographies and Medieval Geographies 4. Mapping the Taboo 5. `Choros, Chora´ and the Question of Landscape 6. Thematic Cartography and the Study of American History Part 2: Reflecting 7. Do Places Have Edges? A Geo-Philosophical Inquiry 8. Race, Mobility and the Humanities: A Geosophical Approach 9. The World in Plain View 10. Courtly Geography: Nature, Authority and Civility in Early Eighteenth Century France 11. Darwinian Landscapes 12. Travel and the Domination of Space in the European Imagination 13. ...
Part 1: Mapping 1. Why America is Called America 2. Above the Dead Cities 3. Digital Cartographies and Medieval Geographies 4. Mapping the Taboo 5. `Choros, Chora´ and the Question of Landscape 6. Thematic Cartography and the Study of American History Part 2: Reflecting 7. Do Places Have Edges? A Geo-Philosophical Inquiry 8. Race, Mobility and the Humanities: A Geosophical Approach 9. The World in Plain View 10. Courtly Geography: Nature, Authority and Civility in Early Eighteenth Century France 11. Darwinian Landscapes 12. Travel and the Domination of Space in the European Imagination 13. The Good Inherit the Earth Part 3: Representing 14. Putting Pablo Neruda´s `Alturas de Machu Picchu´ In Its Places 15. Great Balls of Fire: Envisioning the Brilliant Meteor of 1783 16. Reading Landscapes and Telling Stories: Geography, the Humanities and Environmental History 17. Participatory Historical Geography? Shaping and Failing to Shape Social Memory at an Oklahoma Monument 18. Still-Life, After-Life `Nature Morte´: W.G. Sebald and the Demands of Landscape 19. The Texture of Space: Desire and Displacement in Hiroshi Teshigahara´s `Woman of the Dunes´ 20. Restoration: Synoptic Reflections 21. Overlapping Ambiguities, Disciplinary Perspectives and Metaphors of Looking: Reflections on a Landscape Photograph Part 4: Performing 22. Inverting Perspective: Icons´ Performative Geographies 23. Literary Geography: The Novel as a Spatial Event 24. Materialising Vision: Performing a High-Rise View 25. Technician of Light: Patrick Geddes and the Optic of Geography 26. Deserted Places, Remote Voices: Performing Landscape 27. Photography and Its Circulations 28. Beyond the Power of Art to Represent?: Narratives and Performances of the Arctic in the 1630s 29. Navigating the Northwest Passage
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