Envisioning Music Teacher Education
Herausgeber: Wharton Conkling, Susan
Envisioning Music Teacher Education
Herausgeber: Wharton Conkling, Susan
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This volume will contain selected proceedings from the 2013 Symposium on Music Teacher Education, sponsored by NAfME's Society for Music Teacher Education and hosted at University of North Carolina.
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This volume will contain selected proceedings from the 2013 Symposium on Music Teacher Education, sponsored by NAfME's Society for Music Teacher Education and hosted at University of North Carolina.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 226
- Erscheinungstermin: 28. Mai 2015
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 524g
- ISBN-13: 9781475809909
- ISBN-10: 1475809905
- Artikelnr.: 42203217
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 226
- Erscheinungstermin: 28. Mai 2015
- Englisch
- Abmessung: 235mm x 157mm x 18mm
- Gewicht: 524g
- ISBN-13: 9781475809909
- ISBN-10: 1475809905
- Artikelnr.: 42203217
Susan Wharton Conkling is a professor of music and music education at Boston University, where she teaches courses in conducting, choral methods, and doctoral-level research. As a teacher and scholar, Conkling has been a leading voice for the Scholarship of Teaching and Learning movement in the performing arts, beginning with a Carnegie Fellowship in 1999. She also is well-known for her efforts to create professional development partnerships between public schools and collegiate schools and departments of music. Her research interests include the professional development of music teachers, particularly in schools affected by poverty and income inequality, and the designs for and intersections of learning experiences in postsecondary institutions. Conkling serves as the national chair of the Society for Music Teacher Education.
INTRODUCTION: CREATING VISION FOR MUSIC TEACHER EDUCATION Douglas C.
Orzolek CHAPTER 1: VISIONS OF GOOD TEACHING Karen Hammerness CHAPTER 2:
MAPPING NEW LANDSCAPES FOR MUSIC TEACHER EDUCATION Janet R. Barrett CHAPTER
3: PEDAGOGY AND MISSION: VINCENTIAN PERSONALISM AND COCREATION OF MUSICAL
EXPERIENCE Jacqueline Kelly-McHale CHAPTER 4: ALIGNING VISION WITH
PRACTICE: REDESIGNING TRADITIONAL MUSIC TEACHER EDUCATION THROUGH IMMERSIVE
LEARNING John W. Scheib, Karin S. Hendricks, Ryan M. Hourigan, and Kimberly
J. Inks CHAPTER 5: TEACHING FREE IMPROVISATION: BUILDING A RESPONSIVE
PEDAGOGY THROUGH CORE PRACTICES Kimberly Lansinger Ankney and Daniel J.
Healy CHAPTER 6: THE SHOE THAT DOESN'T FIT: CONTEXTUALIZING MUSIC TEACHER
EVALUATION Cara Bernard CHAPTER 7: METAPHOR AS A TOOL FOR UNDERSTANDING
(AND QUESTIONING?) PRESERVICE MUSIC TEACHERS' BELIEFS Heather Nelson
Shouldice CHAPTER 8: GOAL-SETTING IN AN ENSEMBLE-BASED FIELD EXPERIENCE
Linda C. Thornton and Jason B. Gossett CHAPTER 9: ENVISIONING REFLECTION:
COLLABORATIVE SELF-STUDY IN A MUSIC EDUCATION METHODS COURSE Ann Marie
Stanley and Lynn Grossman CHAPTER 10: VISION AND THE LEGITIMATE ORDER:
THEORIZING TODAY TO IMAGINE TOMORROW Brent C. Talbot and Roger Mantie
CHAPTER 11: UTOPIAN THINKING, COMPLIANCE AND VISIONS OF WONDERFUL
TRANSFORMATION Susan Wharton Conkling BIBLIOGRAPHY ABOUT THE EDITOR ABOUT
THE CONTRIBUTORS
Orzolek CHAPTER 1: VISIONS OF GOOD TEACHING Karen Hammerness CHAPTER 2:
MAPPING NEW LANDSCAPES FOR MUSIC TEACHER EDUCATION Janet R. Barrett CHAPTER
3: PEDAGOGY AND MISSION: VINCENTIAN PERSONALISM AND COCREATION OF MUSICAL
EXPERIENCE Jacqueline Kelly-McHale CHAPTER 4: ALIGNING VISION WITH
PRACTICE: REDESIGNING TRADITIONAL MUSIC TEACHER EDUCATION THROUGH IMMERSIVE
LEARNING John W. Scheib, Karin S. Hendricks, Ryan M. Hourigan, and Kimberly
J. Inks CHAPTER 5: TEACHING FREE IMPROVISATION: BUILDING A RESPONSIVE
PEDAGOGY THROUGH CORE PRACTICES Kimberly Lansinger Ankney and Daniel J.
Healy CHAPTER 6: THE SHOE THAT DOESN'T FIT: CONTEXTUALIZING MUSIC TEACHER
EVALUATION Cara Bernard CHAPTER 7: METAPHOR AS A TOOL FOR UNDERSTANDING
(AND QUESTIONING?) PRESERVICE MUSIC TEACHERS' BELIEFS Heather Nelson
Shouldice CHAPTER 8: GOAL-SETTING IN AN ENSEMBLE-BASED FIELD EXPERIENCE
Linda C. Thornton and Jason B. Gossett CHAPTER 9: ENVISIONING REFLECTION:
COLLABORATIVE SELF-STUDY IN A MUSIC EDUCATION METHODS COURSE Ann Marie
Stanley and Lynn Grossman CHAPTER 10: VISION AND THE LEGITIMATE ORDER:
THEORIZING TODAY TO IMAGINE TOMORROW Brent C. Talbot and Roger Mantie
CHAPTER 11: UTOPIAN THINKING, COMPLIANCE AND VISIONS OF WONDERFUL
TRANSFORMATION Susan Wharton Conkling BIBLIOGRAPHY ABOUT THE EDITOR ABOUT
THE CONTRIBUTORS
INTRODUCTION: CREATING VISION FOR MUSIC TEACHER EDUCATION Douglas C.
Orzolek CHAPTER 1: VISIONS OF GOOD TEACHING Karen Hammerness CHAPTER 2:
MAPPING NEW LANDSCAPES FOR MUSIC TEACHER EDUCATION Janet R. Barrett CHAPTER
3: PEDAGOGY AND MISSION: VINCENTIAN PERSONALISM AND COCREATION OF MUSICAL
EXPERIENCE Jacqueline Kelly-McHale CHAPTER 4: ALIGNING VISION WITH
PRACTICE: REDESIGNING TRADITIONAL MUSIC TEACHER EDUCATION THROUGH IMMERSIVE
LEARNING John W. Scheib, Karin S. Hendricks, Ryan M. Hourigan, and Kimberly
J. Inks CHAPTER 5: TEACHING FREE IMPROVISATION: BUILDING A RESPONSIVE
PEDAGOGY THROUGH CORE PRACTICES Kimberly Lansinger Ankney and Daniel J.
Healy CHAPTER 6: THE SHOE THAT DOESN'T FIT: CONTEXTUALIZING MUSIC TEACHER
EVALUATION Cara Bernard CHAPTER 7: METAPHOR AS A TOOL FOR UNDERSTANDING
(AND QUESTIONING?) PRESERVICE MUSIC TEACHERS' BELIEFS Heather Nelson
Shouldice CHAPTER 8: GOAL-SETTING IN AN ENSEMBLE-BASED FIELD EXPERIENCE
Linda C. Thornton and Jason B. Gossett CHAPTER 9: ENVISIONING REFLECTION:
COLLABORATIVE SELF-STUDY IN A MUSIC EDUCATION METHODS COURSE Ann Marie
Stanley and Lynn Grossman CHAPTER 10: VISION AND THE LEGITIMATE ORDER:
THEORIZING TODAY TO IMAGINE TOMORROW Brent C. Talbot and Roger Mantie
CHAPTER 11: UTOPIAN THINKING, COMPLIANCE AND VISIONS OF WONDERFUL
TRANSFORMATION Susan Wharton Conkling BIBLIOGRAPHY ABOUT THE EDITOR ABOUT
THE CONTRIBUTORS
Orzolek CHAPTER 1: VISIONS OF GOOD TEACHING Karen Hammerness CHAPTER 2:
MAPPING NEW LANDSCAPES FOR MUSIC TEACHER EDUCATION Janet R. Barrett CHAPTER
3: PEDAGOGY AND MISSION: VINCENTIAN PERSONALISM AND COCREATION OF MUSICAL
EXPERIENCE Jacqueline Kelly-McHale CHAPTER 4: ALIGNING VISION WITH
PRACTICE: REDESIGNING TRADITIONAL MUSIC TEACHER EDUCATION THROUGH IMMERSIVE
LEARNING John W. Scheib, Karin S. Hendricks, Ryan M. Hourigan, and Kimberly
J. Inks CHAPTER 5: TEACHING FREE IMPROVISATION: BUILDING A RESPONSIVE
PEDAGOGY THROUGH CORE PRACTICES Kimberly Lansinger Ankney and Daniel J.
Healy CHAPTER 6: THE SHOE THAT DOESN'T FIT: CONTEXTUALIZING MUSIC TEACHER
EVALUATION Cara Bernard CHAPTER 7: METAPHOR AS A TOOL FOR UNDERSTANDING
(AND QUESTIONING?) PRESERVICE MUSIC TEACHERS' BELIEFS Heather Nelson
Shouldice CHAPTER 8: GOAL-SETTING IN AN ENSEMBLE-BASED FIELD EXPERIENCE
Linda C. Thornton and Jason B. Gossett CHAPTER 9: ENVISIONING REFLECTION:
COLLABORATIVE SELF-STUDY IN A MUSIC EDUCATION METHODS COURSE Ann Marie
Stanley and Lynn Grossman CHAPTER 10: VISION AND THE LEGITIMATE ORDER:
THEORIZING TODAY TO IMAGINE TOMORROW Brent C. Talbot and Roger Mantie
CHAPTER 11: UTOPIAN THINKING, COMPLIANCE AND VISIONS OF WONDERFUL
TRANSFORMATION Susan Wharton Conkling BIBLIOGRAPHY ABOUT THE EDITOR ABOUT
THE CONTRIBUTORS