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This volume includes the 4 chapbooks published in 1917-18 and presents, at first glance, an odd mixture. Chronologically, we have El espejo de agua, written in 1914-16, first published in 1916, but, to all intents and purposes not distributed until 1918. Horizon carré(see below) follows and then come Ecuatorial (written in Spanish), Poemas árticos, Hallali and Tour Eiffel, the last two being composed in French. The last two publications from this period, Hallali and Tour Eiffel-both marked by textual experimentation-were very important for the rising wave of the Spanish avant-garde. In this…mehr

Produktbeschreibung
This volume includes the 4 chapbooks published in 1917-18 and presents, at first glance, an odd mixture. Chronologically, we have El espejo de agua, written in 1914-16, first published in 1916, but, to all intents and purposes not distributed until 1918. Horizon carré(see below) follows and then come Ecuatorial (written in Spanish), Poemas árticos, Hallali and Tour Eiffel, the last two being composed in French. The last two publications from this period, Hallali and Tour Eiffel-both marked by textual experimentation-were very important for the rising wave of the Spanish avant-garde. In this second edition, we have added an appendix containing the French version of the title poem, Équatoriale, which is at least partly translated by the author, an early version of Tour Eiffel as published in the magazine Nord-Sud, together with a Spanish version of the finished poem.
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Autorenporträt
The Chilean poet Vicente Huidobro (1893-1948) is one of the most important figures in 20th-century Hispanic poetry and, with César Vallejo, one of the pioneering avant-gardists in Spanish. Originally from an upper-class Santiago family, Huidobro was fortunate to have the means to support himself and his family while he found his artistic way. After an early phase writing in a quasi-symbolist style in his native city, he moved to Paris and threw himself into the local artistic milieu with a passion, quickly becoming a notable figure, publishing a large number of books in the period 1917-1925. Influenced initially by Apollinaire, Huidobro quickly befriended both forward-looking French writers such as Reverdy, Cocteau and Radiguet, and the Spanish expatriate artists, including Picasso and Juan Gris.He reached his poetic maturity in 1931 with the publication of two master-pieces: the long poem, 'Altazor', and the book-length prose-poem 'Temblor de cielo' (Skyquake). Two further collections would follow during his lifetime, both published in Santiago in 1941. While he also published successful novels and plays, it is for his poetry that he is best remembered today.