Kimberly Poppiti has been exploring the connections between horses and theatre for decades. She is the author of A History of Equestrian Drama in the United States: Hippodrama's Pure Air and Fire (Routledge, 2018) and numerous related articles. Kimberly is also a two-time winner of the United States Institute for Theatre Technology's Herbert D. Greggs Award, as well as the recipient of a Greggs Merit Award, for her writing on theatre design and technology. She holds a PhD in Educational Theatre from New York University and an MFA in Dramaturgy from Stony Brook University, and teaches at St. Joseph's University in New York. Visit her online at: http://kimberlypoppiti.com
Inhaltsangabe
Introduction 1. Timour the Tartar; A Melo Drame In Two Acts by M. G. (Matthew Gregory) Lewis (1811) 2. The Battle of Waterloo A Grand Military Melodrama In Three Acts by J. H. Amherst (1824) 3. Mazeppa: A Romantic Drama In Three Acts by Henry M. Milner (1831) 4. The Whip by Cecli Raleigh and Henry Hamilton (1909)
Introduction 1. Timour the Tartar; A Melo Drame In Two Acts by M. G. (Matthew Gregory) Lewis (1811) 2. The Battle of Waterloo A Grand Military Melodrama In Three Acts by J. H. Amherst (1824) 3. Mazeppa: A Romantic Drama In Three Acts by Henry M. Milner (1831) 4. The Whip by Cecli Raleigh and Henry Hamilton (1909)
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