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More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the…mehr

Produktbeschreibung
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.
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Autorenporträt
Alan Powers was Professor of Architecture and Cultural History at the University of Greenwich until 2012. His research covers a wide range of topics, including architecture, painting, typography, illustration and textiles, and he has a particular interest in exploring new interpretations of the emergence of modernism in Britain in the 20th century. Guest curator of the centenary exhibition, Eric Ravilious: Imagined Realities, at the Imperial War Museum (2003), his other books include Britain in the series Modern Architectures in History (2007) and Curwen: Art and Print (2008).