Andere Kunden interessierten sich auch für
![Daido Moriyama: A Retrospective]( "Daido Moriyama: A Retrospective")
Daido Moriyama: A Retrospective55,00 €![Ernst Haas: Abstract]( "Ernst Haas: Abstract")
Ernst Haas: Abstract50,00 €![New York. Portrait of a City]( "New York. Portrait of a City")
New York. Portrait of a City50,00 €![Steve McCurry: Devotion. Hingabe. 150 Farbfotografien zeigen die vielen Gesichter eines universellen Gefühls]( "Steve McCurry: Devotion. Hingabe. 150 Farbfotografien zeigen die vielen Gesichter eines universellen Gefühls")
Steve McCurry: Devotion. Hingabe. 150 Farbfotografien zeigen die vielen Gesichter eines universellen Gefühls49,00 €![Forms of Japan: Michael Kenna (deutsche Ausgabe)]( "Forms of Japan: Michael Kenna (deutsche Ausgabe)")
Forms of Japan: Michael Kenna (deutsche Ausgabe)55,00 €![Olaf Heine: Human Conditions]( "Olaf Heine: Human Conditions")
Olaf Heine: Human Conditions55,00 €![Store Front NYC]( "Store Front NYC")
Store Front NYC40,00 €
This collection of striking color images from the American West is both a moving national portrait as well as a celebration of analog color photography from an undisputed genius of the form.
The photographer behind Life magazine's first ever all-color photographic essay, Ernst Haas made-and captured-history as an early adapter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America's geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas' perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist's point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.
The photographer behind Life magazine's first ever all-color photographic essay, Ernst Haas made-and captured-history as an early adapter of Kodachrome film. The Austrian-born artist had already established himself as a black and white photographer when he moved to America in 1951. But as a member of the renowned Magnum agency, he transformed the genre with his color-saturated images, the perfect medium for capturing America's geographic and cultural landscapes. From desert storms, Route 66 gas stations, and Las Vegas neon to rolling prairie, dilapidated farms, small-town parades, and city sidewalks, Haas' perfectly composed images, contain a distinct pictorial language, suffused with poetry, pattern, and light. At the same time his pictures communicate a journalist's point of view, whether the subject is rural poverty, suburban comfort, or the myth of the American West. The remarkable book offers a vision of America that feels both poignantly distant and reassuringly familiar.