This book looks closely at Ernst Lubitsch's The Student Prince in Old Heidelberg, a film undervalued by film scholars and critics. It advocates for the elevation of the film within the canon of Lubitsch's films, as well as an appreciation of the classical style it represents, characterized by aesthetics, meticulous structure, and understatement.
This book looks closely at Ernst Lubitsch's The Student Prince in Old Heidelberg, a film undervalued by film scholars and critics. It advocates for the elevation of the film within the canon of Lubitsch's films, as well as an appreciation of the classical style it represents, characterized by aesthetics, meticulous structure, and understatement.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Chapter 1: Why the Neglect? Chapter 2: The Rewards of Simplicity Chapter 3: A Classical Sense of Balance Chapter 4: A Larger Sense of Balance Chapter 5: Matches Chapter 6: Motifs Chapter 7: The Art of Condensation Chapter 8: Lubitsch's Use of Off-screen Space Chapter 9: A Measured Expressiveness Chapter 10: Lubitsch and Actors Chapter 11: Lubitsch, Shearer and Kathi Chapter 12: What Shearer Brings to the Equation Chapter 13: The Film's "Ideas" Chapter 14: Chaplin and Lubitsch Chapter 15: Carl Davis' Orchestral Accompaniments Bibliography Index About the Author
Introduction Chapter 1: Why the Neglect? Chapter 2: The Rewards of Simplicity Chapter 3: A Classical Sense of Balance Chapter 4: A Larger Sense of Balance Chapter 5: Matches Chapter 6: Motifs Chapter 7: The Art of Condensation Chapter 8: Lubitsch's Use of Off-screen Space Chapter 9: A Measured Expressiveness Chapter 10: Lubitsch and Actors Chapter 11: Lubitsch, Shearer and Kathi Chapter 12: What Shearer Brings to the Equation Chapter 13: The Film's "Ideas" Chapter 14: Chaplin and Lubitsch Chapter 15: Carl Davis' Orchestral Accompaniments Bibliography Index About the Author
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