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Every woman has a secret life . . . Nikki, a modern daughter of Indian immigrants, has spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki impulsively takes a job teaching a “creative writing” course at the community center in the beating heart of London’s close-knit Punjabi community. The proper Sikh widows who show up are expecting to learn English, not short-story writing. When one of the widows finds a book of…mehr

Produktbeschreibung
Every woman has a secret life . . . Nikki, a modern daughter of Indian immigrants, has spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki impulsively takes a job teaching a “creative writing” course at the community center in the beating heart of London’s close-knit Punjabi community. The proper Sikh widows who show up are expecting to learn English, not short-story writing. When one of the widows finds a book of erotica and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories that they’ve held in for far too long. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind. As the class grows, a group called the Brothers, who have appointed themselves Southall’s “moral police,” threaten to reveal the class’s scandalous stories and the mysterious secrets lurking beneath this seemingly sedate, tight-knit community.
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Autorenporträt
The daughter of a diplomat, Balli Kaur Jaswal was born in Singapore and grew up in Japan, Russia, and the Philippines. She received a BA in Creative Writing from Hollins University in Virginia and a PhD from Singapore's Nanyang Technical University. Her essays and op-eds about diaspora, censorship, racism, and sexuality have appeared in the New York Times, Cosmopolitan, Refinery29, The South China Morning Post, Harper's Bazaar, and Salon.com. She lives with her family in Singapore, where she is a professor at Yale-NUS.
Rezensionen
'Big-hearted, earthy and funny: turns so many preconceptions upside down. A rattlingly good story' Deborah Moggach, The Best Exotic Marigold Hotel

'Warm and hilariously funny' Good Housekeeping

'Charming, hilarious and thoughtful' The Pool

'Erotic Stories for Punjabi Widows balances darkness and light, social commentary and ecstatic escapism... funny and moving tale of desire and its discontents' The Economist

'Sensual, authentic and hilarious, I will never look at an aubergine in the same way again - 5 stars' The Sun

'Enlightening and entertaining' Woman & Home

'A dark comedy... about empowerment and friendship' Tatler

'A page turner... Tackles serious themes with a light and funny touch' Glamour

'Funny yet serious, this is a fab book about women, culture and secrets' Prima

'By turns erotic, romantic, and mysterious, this tale of women defying patriarchal strictures enchants' Kirkus Reviews

'Compulsive, funny and wonderfully original - this novel glows with witty sensuality. I love it ' Helen Lederer, Losing It

'Poignant, intelligent yet wickedly funny - a delightful read that reignites one's belief in the power of sisterhood' June Sarpong