Examines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics.
Examines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics.
Esther Gabara is Assistant Professor of Romance Studies, and Art, Art History & Visual Studies at Duke University.
Inhaltsangabe
List of Illustrations vii Acknowledgments xi Introduction 1 1. Landscape: Errant Modernist Aesthetics in Brazil 36 2. Portraiture: Facing Brazilian Primitivism 75 3. Mediation: Mass Culture, Popular Culture, Modernism 120 4. Essay: Las Bellas Artes Públicas, Photography, and Gender in Mexico 143 5. Fiction: Photographic Fictions, Fictional Photographs 196 Epilogue 240 Notes 261 Bibliography 319 Index 345
List of Illustrations vii Acknowledgments xi Introduction 1 1. Landscape: Errant Modernist Aesthetics in Brazil 36 2. Portraiture: Facing Brazilian Primitivism 75 3. Mediation: Mass Culture, Popular Culture, Modernism 120 4. Essay: Las Bellas Artes Públicas, Photography, and Gender in Mexico 143 5. Fiction: Photographic Fictions, Fictional Photographs 196 Epilogue 240 Notes 261 Bibliography 319 Index 345
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